I'm guessing they're using VR lenses, so they'd have at least some reduction. Just not as much as the Z-series provides by the look of it.I mean, maybe they want to reduce the chance the astronauts use the camera suboptimally and miss a shot that would have still been good enough for social media if only they hadn't missed focus or if only they had used more iso. To me, stabilization seems like it would have been worthwhile and neither one has it, and the iso of the d850 seems like it should already be excessive, but idk. Maybe they also wanted a bigger battery or something? maybe the d5 was on an easier to reach shelf? lol
I believe the exterior live video camera is mainly to help monitor the status of the spacecraft, and help troubleshoot if necessary. It's not for publicity or science.I am watching the feed and there are some things that make zero sense. Why do we even need a live video of the moon? A high resolution photo that gets update every 5-10 minutes would be much better. Also they keep talking about the crew using handheld Nikon cameras to take photos through the winding. Great but why are their not very high resolution stabilized (if needed) cameras on the outside? High power zoom would also be great. It seems to me that NASA too the notion of "Do what Apollo 8 did" a bit to literally.
"Can transmit", due to the shorter wavelengths' ability to encode more data, not "can travel".Integrity is also carrying an experimental optical communication system that uses a laser (infrared light) to transmit data at a higher rate than radio waves can travel, allowing for larger video and imagery files to be transmitted back to Earth more quickly.
It was selected because it is an older technology that is already known to withstand the higher radiation environment of space. The Z9 was a late addition to test as it was scheduled for the Artemis III mission.That's an interesting choice. The D5 is a sports and wildlife camera, with a design focused on high performance autofocus for tracking fast moving subjects and high burst rates.
Just keep in mind the Moon doesn't rise till pretty late tonight, close to midnight depending on where you are.I'm just happy to be here. Going to take extra time to gaze at the moon tonight knowing I'm also looking towards four humans.
They always intended to time the far side orbit with the sun at an angle to create a shadowed landscape.The flight path in relation to the Earth and the moon has been known, but not in relation to the sun, which is the actual problem here.
You do realize the Earth is a sphere?Just keep in mind the Moon doesn't rise till pretty late tonight, close to midnight depending on where you are.
I don't get the joke...You do realize the Earth is a sphere?
They didn't build the thing, mate.I know at least four people who would like a word.
Yeah the LRO is a 13 cm telescope lens for digital camera in an orbit that brings it to a 20km periapsis. It has resolving capabilities over two orders of magnitude greater than anything Orion has.I believe the exterior live video camera is mainly to help monitor the status of the spacecraft, and help troubleshoot if necessary. It's not for publicity or science.
The imaging with Nikon cameras is just opportunistic. There are dedicated science satellites orbiting the Moon with much better cameras, like Lunar Reconnaissance Orbiter and Chandrayaan-2. Orion is a crew transport vehicle, not a science satellite.
I was being dumb and not thinking it through so I thought "The moon is always rising somewhere" but now that I think about it, yeah, it's pretty late at night when it does everywhere right at the moment. Just ignore me, which is always good advice anyway.I don't get the joke...
"Integrity, Mission Control, update to last. We are advised by Navigation that the space capsule will turn itself around shortly, no matter what. And play nice with the window access."Heh. They're doing a scheduled swap, trading out which astronauts get to be at the windows.
"Mission Control! Mission Control! It's my turn to be at the window! Make him move! Missionnn Connntrooolll! IT'S MY TURRRNNN!!!"
"Integrity, this is Mission Control. Don't make me turn the space capsule around!"
Well, there's another factor - part of the reason EMF spectrum is divided into "bands" isn't just arbitrary - it's based on the physical propagation properties of those frequencies. Shortwave behaves very differently than VHF which behaves very differently from microwave which behaves very differently from IR or visible.This is confusing, albeit not wrong.
Bandwidth depends on how much wide a channel is. say 8MHz for a TV channel
And in 8 MHz you can transmit the same amount of data no matter if your channel goes from 200 to 208 MHz or from 900 to 908MHz, or from 3.000 to 3.008 GHz
Then for historical reasons the higher in frequency you go, the the easier is to have room for a wider channel, which make the (wrong) assumption that bandwidth is function of the frequency "practically" correct,
Because the moon is tidally locked to the earth, a lunar day is one month. A circular orbit of that period around an object with the moon’s mass would have a radius of about 93,000 km. Because of the presence of the earth, that is not a stable orbit.Could earth put a moon synchronous orbit satellite to be a relay (either to ground or via starlink like Starship does) and sort of bypass the need for surface receivers, get for places like mars etc that doesn't work but the moon is easy to match since it basically matches with us. I assume you could do the reverse around the moon and have an earth synch satellite that links with the one orbiting earth then between those you can hammer at high speed then your folks on the moon only need to talk to that local satellite which is way lower power?
That's old school. Phased neutrinos is where it's at.What about a tachyon pulse emitter?
I suspect it rotates with the azimuth axis of the telescope, and probably contains the receivers and their waveguides. (It's hard to make waveguides flex much.)No, it looks about that same from both sides - only supported by its connection to the main tower building.
View attachment 132353
Oh sure.Well, there's another factor - part of the reason EMF spectrum is divided into "bands" isn't just arbitrary - it's based on the physical propagation properties of those frequencies. Shortwave behaves very differently than VHF which behaves very differently from microwave which behaves very differently from IR or visible.
You can't really easily use frequencies in different bands the same way as a single channel, because they will behave differently. mmWave will travel a short distance through air and then gets blocked. If you tried to use mmWave together with something below mmWave, you are likely to have part of your signal reach a destination receiver but not all of it. But within a band, you can choose channel sizes almost arbitrarily wide up to the limits of the band (and also, as someone pointed out, the limits of your technology).
If you go to the gallery and replace "~large.jpg" with "~orig.jpg", you can get the EXIF data with camera/lens combinations:Regarding the on-board cameras....
They have Nikon D5 and Z9 cameras (the latter added "at the last minute" with direction apparently from Isaacman). Does anyone know what lenses the crew are using with those cameras? The live feed is referencing "long" and "wide" but I'm curious of the specifics.
Edited to add: I'm referring to the moon observation cameras, rather than the GoPros on the solar arrays, and internal cabin cameras. I realize those are there and separate from the above noted cameras.
Thanks, I was wondering what focal lengths they were using on the Nikon's.If you go to the gallery and replace "~large.jpg" with "~orig.jpg", you can get the EXIF data with camera/lens combinations:
"NIKON D5": "AF Nikkor 35mm f/2D", "AF-S Nikkor 80-400mm f/4.5-5.6G ED VR", "AF-S Zoom-Nikkor 14-24mm f/2.8G ED".
"Nikon Z 9": "AF Nikkor 35mm f/2D", "AF-S Nikkor 80-400mm f/4.5-5.6G ED VR".
And for completeness:
"iPhone 17 Pro Max": "iPhone 17 Pro Max front camera 2.715mm f/1.9", "iPhone 17 Pro Max back triple camera 6.765mm f/1.78".
"HERO4 Black": (no lens data)
Yeah, I'm not an idiot, thanks. It's just that I'm clearly talking about the body not the lenses, and I also know some other information you're leaving out. Like the fact that good IBIS can provide more stops of compensation than in-lens at wide to moderate angles, like they'd be using for the inside of the spacecraft, and in modern cameras, IBIS can cooperate with the in-lens stabilization to achieve a higher total, meaning an unstabilized body is still worse than a stabilized one when that is desired. In-lens stabilization is still valuable for longer lenses, but past long lenses didn't have that many stops of stabilization, so sometimes pure IBIS wouldn't even be that far behind. Assuming they're using the equipment we think they are, then even if it's the newer version of that 80-400, a cameralabs review suggests you might expect 3 stops at 400mm out of its rated 4, and I think they did a good job to get that much from it. I think I could also get 4 or better at the wide end of its range (80mm) on ibis alone with my non-nikon camera, but would quickly get down to 1 or very optimistically 2 stops at the narrow end, which shows the tradeoff.You're thinking to IBIS (in body image stabilization), which is stabilization done at the sensor level, but there is also the image stabilization done at the lens level, which is more common and (obviously) dependent on the lens you're actually using.
Some camera + lenses combinations have only the former, some only the latter, some have both of them, some have no stabilization at all.
In short, before concluding they have no stabilization you need to know what kind of lenses they're using.
[off topic remark:] Those comments are largely mis-informed, but I hope they were not the reason for that account being banned.Sadly (and bizarrely) there's a lot of annoyed people here today. SLS is a success and sent a crew safely to the Moon. The years of SLS hating on here by many didn't matter in the end, like a fart in the wind. Meanwhile Starship that many of the SLS haters love remains unrated and an empty metal can.
It turns out that it costs a lot of money to safely send a crew of 4 to the Moon and back. Shocker!
He has been basically just trolling SpaceX fanboys for the last week rather than just be happy about the success of SLS. Every thread even if nobody mentions SpaceX. He likely did it one too many times. Usually the post resulting the ban had a moderation note so it likely isn't this one.[off topic remark:] Those comments are largely mis-informed, but I hope they were not the reason for that account being banned.
Yeah, I'm not an idiot, thanks.
Thanks.He has been basically just trolling SpaceX fanboys for the last week rather than just be happy about the success of SLS. Ever thread even if nobody mentions SpaceX. He likely did it one two many times. Usually the post resulting the ban had a moderation note so it likely isn't this one.
Unemployed, I didn't have anywhere to beJust keep in mind the Moon doesn't rise till pretty late tonight, close to midnight depending on where you are.
Err, no, you didn't "just" explain the differences. You spoke the way an expert speaks to a student, instead of treating strangers as peers until proven otherwise, or at least giving me the benefit of the doubt, and I pushed back for a moment before going into more detail about the topic. What you responded to was a comment about the suitability of certain camera bodies for this mission - D5 vs D850 vs any other alternatives. If someone offers an opinion about that, they probably believe that they know about one or more differences they think will matter.Hey, relax!
Being aware or not of a technicality doesn't make you or anyone else an idiot or a genius.
I just explained the difference, if you were already aware of it, good for you, but other people may find my message helpful and / or informative.
That's all.
My dad was actually remarking how the launch video quality (tracking of the rocket and image quality breaking-up-pixelating) was MUCH worse than he remembers of the Apollo mission TV broadcasts. We were wondering why they seemed to be so bad quality with such modern tech.