HBO took advantage of the record number of viewers tuning in to the Game of Thrones finale last night to release the first teaser for season three of Westworld. The teaser is deliberately vague on details, but it looks like we’re in for a dystopian near-future scenario set not in the original theme park but in the real outside world.
(Some spoilers for first two seasons below.)
If you’re new to the series, the titular Westworld is one of six immersive theme parks owned and operated by a company called Delos Inc. It’s essentially Live Action Role Play (LARP-ing) combined with a choose-your-own-adventure experience. The park is populated with a “cast” of very human-looking androids, called hosts, who follow a bunch of intertwining narratives, rebooting the same narrative every day. The park’s well-heeled visitors can pretty much do whatever they like to the hosts—rape, pillage, torture, murder—and they do so more often than not, because they don’t see the hosts as anything more than unfeeling props in their private dramas.
But the hosts are much more complicated than that, and their creator—co-founder and park director of Westworld Robert Ford (Anthony Hopkins)—has a plan to “awaken” one host in particular named Dolores (Evan Rachel Wood) to true sentience. The result is a bloody massacre at the end of season one, as the reprogrammed hosts rise up to take revenge on the guests.
Naturally, Delos responds by sending in security forces to quell the uprising and prevent any hosts from escaping the confines of the park into the real world outside. It proved a futile effort. In the season two finale, three of the Hosts were shown entering the real world in the central timeline: Dolores, Bernard (Jeffrey Wright), and former Delos executive Charlotte Hale (Tessa Thompson), except she’s really Dolores’ consciousness inhabiting a rebuild of Charlotte’s body.
The responses to Westworld’s second season were mixed. But Ars’ Lee Hutchinson picked it as his top series for our annual TV Technica roundup last year. “Yes, it’s needlessly baroque, nearly to the point of being impenetrable,” he wrote. “Yes, the layering of the plot means you really do need to watch every episode more than once to get the full measure of what’s going on. Yes, a timeline diagram really does help… I still think it’s the best TV show of 2018.”

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