All great advice! Sorry to be so lame in the OP.<BR><BR>I have been paid for art, everything from pen and ink drawings to CGI and animation. The CGI and animation was pretty elementary technical stuff (safe lifting zones, respirator funtioning) with the exception of some identity bumpers (think the "Walt Disney Presents" bits at the start of thier films). I am moving on to character animation and getting my reel together. My goal is to get a job as a "story artist." The story artists works with a writer and a director to create storyboards for an animated film. These boards are where the film is actually "made" in the sense that the timing and camera movements are configured in great detail. I know I could get paying jobs right now, as I have been offered them. I have turned them down because of fear. Fear of overcommitting myself, fear of failing at freelancing among others. What has changed is my desire has finally surpassed the fear. The fear is still there, just caged.<BR><BR>I am comfortable in the major animation packages as well as (anymore) al the apps in the Adobe Master Collection. I've used others programs, but Adobe has it locked for most of the industry these days. I am also experienced with most natural media used in the visualization industry.<BR><BR>As far as a plan, I intend to stay where I am until my reel is complete. Two years at the outside, and save all the bucks I can. My wife want s to move to Cali as well, so she is on board. I grew up in Cali and have relatives out there so I will not be completely without support, but I don't want to need it.<BR><BR>I was thinking to bring about 50k with me. I think this would allow us to rent an apartment and continue the search if neccessary. Of course we both will be looking for jobs starting now, but unless Pixar calls me (lol) we are going to do our best to time it right. <BR><BR>As far as college goes, I am going, the "one class" is one that is only offered once a year so I had to wait. I painted the wrong picture with my angsty whining.<BR><BR>I have no art network outside of my current school.<BR><BR>Here is a more specific question. How would you recommend a body break into the animation field in the San Franciso Bay Area?<BR><BR>FXWizard, you out there?<BR><BR>Thanks again for all the responses to such a lame OP!