Nicolas Cage was born to play 1930s PI Ben Reilly/The Spider: part Bogey, part Bugs Bunny, 100% Cage-y.
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I've been enjoying it, but it does sound at times like Cage is taking with marbles in the his mouth. Which I find a bit distracting.I'm half way through it, been watching in color.
I'm enjoying it. It's very much scenery chewing, you've got to be into the genre and a bit of pastiche, but I think they got the right cast to pull it off.
I'm so with Jen's last point about it not interconnecting. I remember how it felt exciting when the MCU was going to be an actual universe, and all the connections. Now instead of exciting it feels like a slog, and I've tuned out of a lot of it.
The way to catch my interest at this point is to tell a self contained story that doesn't have all the baggage and yokes.
This problem is what made me stop reading Marvel and DC comics to almost entirely focus on creator owned stories. It might be fun to check in on what Spiderman is up to, then every like 11 months their stories get crossovers with a bunch of other BS I don't care about and I end up spending too much time wiki diving to figure out what the heck is going on.I'm so with Jen's last point about it not interconnecting. I remember how it felt exciting when the MCU was going to be an actual universe, and all the connections. Now instead of exciting it feels like a slog, and I've tuned out of a lot of it.
I don't think you should get hate for that, it's a genre piece that I think it meant to be a little comedic. It's somewhere between a love letter to the genre and sending it up. I think you gotta view it all with a broad wink.I'll likely get a ton of hate for this, but I found the show rather mediocre. You can't wow me with black-and-white visuals, so what was left? A predictable, cheesy story, lame characters and in general a show that tried to be serious but felt at times more like bad comedy.
YES!I'm half way through it, been watching in color.
I'm enjoying it. It's very much scenery chewing, you've got to be into the genre and a bit of pastiche, but I think they got the right cast to pull it off.
I'm so with Jen's last point about it not interconnecting. I remember how it felt exciting when the MCU was going to be an actual universe, and all the connections. Now instead of exciting it feels like a slog, and I've tuned out of a lot of it.
The way to catch my interest at this point is to tell a self contained story that doesn't have all the baggage and yokes.
Yes, this, so much this. When you need to go online to find a reading order for 12 different titles just to keep up with the events in the one comic you care about it feels bad, and like the gimmick it is to sell more issues.This problem is what made me stop reading Marvel and DC comics to almost entirely focus on creator owned stories. It might be fun to check in on what Spiderman is up to, then every like 11 months their stories get crossovers with a bunch of other BS I don't care about and I end up spending too much time wiki diving to figure out what the heck is going on.
One of the reasons I've been recommending Invincible since it was still in publication was that, aside from short unimportant cameos by other Image characters, it was a superhero comic where you didn't need to know anyone who was not already introduced in the book you were reading.
Marvel and DC are so bad for reading order BS. It's almost never "Start with Heroman #1 and go". It's usually "Read Double Sized Annual Special 202X, then Heroman #1-9, then read Crossover Event #1-3, then back to Heroman #10-16..." It would not be so bad if those specials didn't have crucial info in them where you might be lost if you skip them, but...Yes, this, so much this. When you need to go online to find a reading order for 12 different titles just to keep up with the events in the one comic you care about it feels bad, and like the gimmick it is to sell more issues.
The last time I was seriously invested in comics was when Vertigo was still around. You could read Fables or 100 Bullets or Hellblazer and just enjoy it for what it was, without having to worry about 20 other writers and their ideas all trying to be crammed into the same sack.
That was a part of his backstory. I won't reveal spoilers as to why.I've been enjoying it, but it does sound at times like Cage is taking with marbles in the his mouth. Which I find a bit distracting.
You mean that he's plastered drunk the entire time?That was a part of his backstory. I won't reveal spoilers as to why.
No, not due to him being plastered! But I can't fault him for turning to booze to cope with his situation (which in some ways was also caused by him turning to booze)You mean that he's plastered drunk the entire time?
I finished it last night, really loved it. Aside from a strange detour into body horror territory that padded a bunch of time but didn't add much, it was all very compelling. Cage and Gleeson had delightful chemistry, Morris was perfectly cast.
From Wikipedia:Did they specifically design lighting and shadows on the set for black and white? Old film directors took that into account when shooting without color
Gee, how do you expect a homage to Film Noir to play out if it wasn't ham packed?Cage is the worst part of the show though.. It is tragic how bad he has gotten.
I ended watching anyway because I loved the setting and intrigue, but damn Cage is more ham than Bogart
They did… at first…Did they specifically design lighting and shadows on the set for black and white? Old film directors took that into account when shooting without color.
There's a Kurt Busiek quote I think of often: "The stories are the cake, and the shared-universe stuff is frosting. Things tend to go horribly wrong when people start to think the frosting is more important than the cake, and then get better when they remember that it’s about the cake after all."This problem is what made me stop reading Marvel and DC comics to almost entirely focus on creator owned stories. It might be fun to check in on what Spiderman is up to, then every like 11 months their stories get crossovers with a bunch of other BS I don't care about and I end up spending too much time wiki diving to figure out what the heck is going on.
One of the reasons I've been recommending Invincible since it was still in publication was that, aside from short unimportant cameos by other Image characters, it was a superhero comic where you didn't need to know anyone who was not already introduced in the book you were reading.
No? Not Orson Welles or Howard Hawks or John Huston or James Whale? Not German expressionism or the photography of Ansel Adams or the house falling down around Buster Keaton? Not Fleischer Brothers Popeye or Mouse: PI for Hire? Yes to the animated version of Akira but no to the manga?You can't wow me with black-and-white visuals
I'd say as far as what I'm concerned about my kid seeing I'm probably less worried about smoking than a guy getting tortured to death in the first episode, but yeah I suppose the smoking is more imitable.Lots of smoking. Period accurate, but perhaps something for parents to consider.
Ah, idioms. Phoning it in is bad. Dialing it in is good.It's an entertaining series. The costumes are amazing. I thought Nick Cage was great, sometimes he dials it in, but when he cares he's good. But yes, he really leans into that craaazzzy jerky thing he does. All the main characters are interesting.
Lots of smoking. Period accurate, but perhaps something for parents to consider.
I do get that, but sometimes you get a cake that's all frosting and it's inedible.There's a Kurt Busiek quote I think of often: "The stories are the cake, and the shared-universe stuff is frosting. Things tend to go horribly wrong when people start to think the frosting is more important than the cake, and then get better when they remember that it’s about the cake after all."
To be honest with you, I don't think parents should watch this showLots of smoking. Period accurate, but perhaps something for parents to consider.
Hey Sony did you guys forget this was supposed to be a thing??? We're all still waiting damnit!Beyond the Spider-Verse
Days ago, I caught a glimpse of the hit film Jurassic Park (which I haven't viewed in its entirety yet because I've been busy) and commented that the cinematography was completely different to that of modern films.I’m not an expert by any stretch and maybe my expectations are wrong, but I’ll say I’m a little disappointed that the cinematography seems too modern to me for the Noir vibe. We get quick flipping shot/reverse-shot dialog and fast moving camera takes from drones (or CGI’s magical cameras). I expected to see more face-to-face “two-shot” dialog and fixed cameras. Something closer to Reeves’ 1950’s Superman? This is a modern series, through and through.
Attention spans.Maybe that’s just what modern audiences want in a