I’m sure a simplified supply chain is a positive thing, but likely this is related to the ”intelligence” functionality coming out in the iOS 26.4 update (within a month).This feels like Apple wanted to stop manufacturing the H1 chip so they made the bare minimum possible update to put the H2 in the AirPods Max. Completely identical to the gen 1 USB-C revision otherwise. Not even new color options!
It was way overpriced for what it was then compared to the competition and it still is now.Same price as before ... only, that model was introduced so long ago one should probably include the effect of inflation at this point.
edit: Oh wow, inflation calculators say that original 12/2020 price is ~$690 in today's money. I wasn't expecting it to be quite that significant!
Oh dear. Not an "audiophile" at all. My "day" job was live productions for a decade and a half and change.That's not a problem with "lossy codecs." That's a problem with MP3.
And yeah, it was a real problem, and still is a real problem...with MP3. Because that came out in 1991.
It's not a problem with AAC or Opus or any of the later-generation psychoacoustic codecs. (And AAC came out in 1997!)
I swear, half the golden-eared audiophiles on the Internet heard a 128kbps MP3 their kid got off of Napster back in 1998, chuckled, shook their heads, went back to their softly-lit, carpeted, wood-paneled basement listening dens, and haven't paid any attention to anything since.
Sony WH-1000XM6 are $460 regular price, $399 on sale. Bose QuietComfort Ultra 2 are $449 regular price, $425 on sale. Have yet to see what a sale price on AirPods Max 2 looks like, but $549 vs $450–$460 list price isn't wildly different, considering one is predominantly metal construction, and the others are predominantly plastic. Weight preferences aside, it's still a build cost difference to account for.It was way overpriced for what it was then compared to the competition and it still is now.
The very name of the feature implies it.I mean, it's working as intended, so not really a "false trigger". The microphone detects your voice and attenuates the audio because it thinks you might be talking. Which you are.
I don't think that feature ever claimed to be able to tell the difference between singing and speaking.
https://support.apple.com/en-us/121115People seem to be glossing over the live translation- I really want to know how that’s going to work and how many languages will it support.
Why do you want 96 kHz as a delivery format?
From what I understand, when mixing recordings it is useful to have the data stored at high resolution so you don’t get as much error accumulation through multiple editing stages, which are just mathematical operations on numbers which have finite granularity.Because quite a few albums in Apple Music are available in that format, which has a sample rate that is closer to the studio master recordings. It would be a nice feature to have if I’m paying that much for headphones.
https://www.whathifi.com/advice/high-resolution-audio-everything-you-need-to-know
Well, our ears have been around for millions of years and have not perceptibly changed in the last 59. What was valid science then is still valid now? Is a 32k 2,000Hz TV a better viewing experience than a 16k 1,000Hz one - the numbers are bigger but the limits of human perception are still the same?Sorry, but I don’t believe the Red Book CD audio spec should be the last word in audio technology. It’s been around for almost 59 years, so I think it is far past time that the baseline for audio playback was raised to a 24-bit depth and 96 kHz sampling rate.
The Red Book specification wasn’t chosen at random. It was designed to exceed the limits of perfect human hearing in ideal conditions. It doesn’t matter how much better than Red Book the recorded signal is, you simply can’t hear it. It’s like saying that video should expand into IR and UV wavelengths.96 kHz is the sample rate, not the frequency range.
Sorry, but I don’t believe the Red Book CD audio spec should be the last word in audio technology. It’s been around for almost 59 years, so I think it is far past time that the baseline for audio playback was raised to a 24-bit depth and 96 kHz sampling rate.
Consumer video quality has increased greatly since 1980, but it feels like music has been frozen in time, limited to the constraints of the CD format. Without the storage and bandwidth limits we used to have, we should be pushing for more affordable HiRes gear.
Those are wired analogue headphones ... but yes, for wired headphones, they are widely considered the gold standard.How are these better than a pair of Sony Pro MDR 7506 headphones? In my opinion, those are the gold standard, and only $100.
...I know both the sound of the famous 7506s and the current APM really well. Totally different sound styles. 7506s are famously clear, but compared to APM are completely lacking in bass, depth and don't have the consistent left/right staging you get in APM.How are these better than a pair of Sony Pro MDR 7506 headphones? In my opinion, those are the gold standard, and only $100.
The original AirPods Max automatically go into low-power modes.can you turn them off yet?
Thanks to a tip from Arsian @DarkSyd, after wearing out my third set of genuine Sony pads I switched over to a set of Beyer Dynamic EDT250V Headphone Ear Pads — which were more comfortable from day one, and have yet to show signs of the peeling disease that the OEM pads are famous for.Aftermarket ear cups of different materials (foam / surface) are available.
They still lose a significant amount of charge when left flat for a few days. It shouldn’t have been too hard to turn them off completely if the cups are rotated flat.The original AirPods Max automatically go into low-power modes.
Place them into the included magnetic Smart Case to put them into low-power mode immediately, or set them on a flat surface and they will go into low-power mode after five minutes. After 72 hours of inactivity, they will go into ultralow-power mode—which is probably as near to off as one is going to get.
I have a pair of HD820s. They sound better than my APM. I use my APM a lot more.I could buy a NICE pair of Sennheisers for that much money.
I’ve heard or owned all the major competition. In my opinion the APM, with all its flaws, is the superior product.It was way overpriced for what it was then compared to the competition and it still is now.
...that's exactly why we're putting so much effort into immersive music formats like Dolby Atmos.Consumer video quality has increased greatly since 1980, but it feels like music has been frozen in time, limited to the constraints of the CD format. Without the storage and bandwidth limits we used to have, we should be pushing for more affordable HiRes gear.
I mean the big difference is that we’ve had lossless audio formats since the dawn of Blu-ray 20 years ago, but all video still uses lossy compression. Like, the quality we’re getting with lossless audio isn’t terribly different than the native recording. Whereas with video, you’re losing some quality to compression versus the “masters”....that's exactly why we're putting so much effort into immersive music formats like Dolby Atmos.
Imagine the difference between watching a movie on an old standard def TV versus a modern 4K OLED TV. That's the difference between stereo and Dolby Atmos. Once you hear it, there's no going back. Dolby Atmos is the aural equivalent of UHD, and then some.
$549. I don't think so.
It's funny that way, but it seems there is a recent revival in the young ones deliberately using wired earphones recently. No idea if the fad will last, of course.
i suspect that is in part because Apple limits lossless music. Android has better codecs for listening to music wirelessly than the iOS ecosystem has. Admittedly most people can't tell or don't care. But Sennheiser has made a big splash with their HDB 630 cans because they come with a dongle that you can insert into an iPhone's (or iPad's and I assume Mac's) USB-C port and it bypasses the limits that Apple places on their high resolution music not traveling by wire. How long ago did Apple hint they were working on a wireless way to get around Bluetooth's bandwidth limits And they still don't have it?It's funny that way, but it seems there is a recent revival in the young ones deliberately using wired earphones recently. No idea if the fad will last, of course.
cool, how's it sound while you're riding the bus?For that kind of money (and I say this as a serious Apple Fanboy who is currently mad at Quisling Tim Apple for bowing the knee to Orange Mussolini) there are much better headphones for the money. And for not much more, vastly better. I don't need all that Apple ecosystem tie-in mainly because I've decided to go with a Roon Nucleus One.
I'm currently using Tidal along with my own ripped and purchased FLAC library on my Unas Pro NAS. Roon turns them into one seamless catalog of 100 million songs. Output currently with Marantz and Klipsch. Headphone research is under way right now, probably to purchase next year.
I can pick out 24/96 masters over 16/44.1 masters every day. But the way I do that comes mostly down to the 24-bit bit depth. 16-bit sounds chunky, and the quiet passages are kind of in a vacuum. Sampling rate, on the other hand, is less easy to hear, but in the studio you can hear it in the plug-ins. Reverbs sound better and EQs suck less at 96K. It has nothing to do with your upper range of human hearing. The low-pass anti-aliasing filter at 44.1KHz ripples into the range of hearing. We mix at 96K so the filter is farther away and hopefully doing less damage. Do an experiment if you have the tools, and take the low-pass filter out- digital audio starts to sound like garbage fast. The sound of aliasing is like an out of tune chalkboard. Respectfully, all the talk online about sampling rate and your ability to hear high frequencies is a distraction. We need 96KHz masters for posterity, even if they get converted to 48Khz for streaming.The Red Book specification wasn’t chosen at random. It was designed to exceed the limits of perfect human hearing in ideal conditions. It doesn’t matter how much better than Red Book the recorded signal is, you simply can’t hear it. It’s like saying that video should expand into IR and UV wavelengths.
Anyone know if these will function as hearing aids like the AirPods Pro 3?
Sounds like a cool and time consuming hobby. I just want to play music wherever I am and have it sound good enough for my ears.For that kind of money (and I say this as a serious Apple Fanboy who is currently mad at Quisling Tim Apple for bowing the knee to Orange Mussolini) there are much better headphones for the money. And for not much more, vastly better. I don't need all that Apple ecosystem tie-in mainly because I've decided to go with a Roon Nucleus One.
I'm currently using Tidal along with my own ripped and purchased FLAC library on my Unas Pro NAS. Roon turns them into one seamless catalog of 100 million songs. Output currently with Marantz and Klipsch. Headphone research is under way right now, probably to purchase next year.
Apple Music? I'm thinking about cancelling it altogether. With Roon ARC I havce access to all of my music anywhere in the world with superb quality (port forwarded so my network is safe and secure, no UnPnP needed).