Timing of a big-screen return to Arrakis mostly depends on director Denis Villeneuve.
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I really liked The Dosadi Experiment and the arch with the few books in Herbert’s ConSentiency series. Some really dystopian detective SciFi that someone could do justice to.
It was really a comment about how one little thing can change your suspension of disbelief. Any world building has holes that you can pick on and most of the time I just go with it. The trick for the movie or the book is to keep you entranced and not thinking about it and enjoy.Seems like you more have a problem with Herbert’s world-building than the movie itself. You don’t find Dune to be internally consistent.
In regard to the attack on the spice harvester, perhaps the fremen don’t possess sufficiently powerful or long range lasguns to attack from a distance.
Probably not, though frankly the idea that "cancellation" is actually something new is silly. It's been around forever. "Shutdown of discourse on campus" is.. not a thing?Frank Herbert didn’t limit his warning to one cause and the trilogy wasn’t an accident: https://web.archive.org/web/20120107220342/http://www.frankherbert.org/news/genesis.html
Paul Atreides was written to be admirable, before FH deconstructed the consequences later: It’s why he wrote chunks of Messiah and CoD before Dune.
It’s also why in Omni he expresses caution in environmentalist movements.
His work is “Liberal” but in the classic 1700s sense of high-degrees of individuality and freedom. I doubt he would’ve been comfortable with cancelation and shutdown of discourse on campus’
I’m not sure how he would’ve felt about misinformation at scale.
None of those were that clever. Not by half. And the idea that the detective in Blade Runner 2049 would be investigating himself is a direct outcome of Blade Runner. It's almost like you didn't watch the, I would say original, but any of the directors cuts.Arrival was the prototype for everything I can't stand about Villenueve's sci-fi movies before Dune 2. The problem with Arrival was that the whole thing felt devoid of any real humanity. Just cold and lifeless. I bet most people don't even remember Jeremy Renner was in it. Because like everybody else his character was just...nothing. Then there's the problem of the twist that was 'too' clever by half and felt completely forced because it didn't tie in to the central premise of the movie. That being Aliens arriving on Earth.
Then the same cold and lifeless issue reared its head again with Blade Runner 2049. With even ANOTHER forced twist that turned out not to be a twist but still succeeded in being so meta as to take me out of the movie. That being the twist of the detective (gasp!) investigating himself.
Just tell the story and stop trying to be clever ffs.
Are the Face-Dancers especially weird in 2024? I don't know if shapeshifters were already a common SF/fantasy trope in the '60s, but I'd guess they're better-known now, after shows like Deep Space 9 and Game of Thrones, or films like Terminator 2 and the recent Marvel movies featuring the Skrulls.Its' going to require a ton of changes as any book reader knows. I think the general weirdness of the Bijaz Distrans, Tleilaxu Face Dancers and a lot of the conspiracy players will sidelined for a more streamlined adversary.
Probably not, though frankly the idea that "cancellation" is actually something new is silly. It's been around forever. "Shutdown of discourse on campus" is.. not a thing?
Once again, the point of Paul was a deconstruction. Whether you call him a hero is beside the point. My entire point is far righters LOVE Paul and don't realize he's a deconstruction or even think a single thing he did is bad. That's what Messiah is meant to underline fully, that Paul is a bad person, that "hero worship" and "admiration" are dangerous, and that the Jihad is the ultimate consequence. It's a warning. No, I'm not mapping onto modern causes. His sexism is still pretty apparent in his books with his notion that women are "inherently giving" and men are "inherently taking".
Yeah I think it will have plenty of action to work with. Especially if he sticks to one movie and doesn't do another 2 parter. He can lean in on veteran's affairs. That's topical and a big part of the book.Of all of the FH Dune books, Messiah contains, for me, the greatest action set piece of all. The Stone Burner scene is going to be absolutely incredible in the hands of Denis' given his vision for scale. My only concern is that Paul's oracular vision will be simplified too much, given how subdued the water of life scene in Part Two was.
The movie is sort of structured that way though isn't it? (Even though logically with control of the spice he doesn't actually have to jihad the houses).I think it's kind of funny, I think it's kind of sad, that just like the original book way too many people actually admire Paul and think he's a "great hero". Hopefully Messiah will make it absolutely clear that Dune has "always been woke".
Sadly, Morgan is in poor health (effects of fibromyalgia) and doubtful he would get to play Norton, Commander of the Endeavor. But who knows...There was a brief moment about a year ago when he was supposed to direct a Rendezvous with Rama adaptation. Now I have been waiting for an adaptation of this since I read it in school, for decades now, and it’s been a rollercoaster: Morgan Freeman bought the rights and promised an adaptation in the early 2010s. David Fincher was set to direct it for a while. Then it was canned.
Anyway what I’m saying is that I fucking DESERVE this movie. Everything else needs to get in line.
After Dune Part 1 came out everybody was saying "wait until Part 2 before making a final decision."It's interesting reading the complaints people have with D2, and it appears the main one is it felt rushed.
I actually agree with this criticism, but I feel like it comes from Villeneuve really not wanting to leave anything out. He obviously loves the book so much he was loath to cut anything from it
As a HUGE fan of the 6 book series (hate the sons stuff), I can understand Villeneuve's approach. He really crammed in as much as he could. Some interesting changes in reference to Chani. A few other things, but while I agree it feels too "full", I really loved it. I just loved seeing that universe so brilliantly shown, without too much editorialising, or straight out silliness like Lynch's
I'm sad that people had a bad time, because I loved it, and I'm glad Villeneuve will get a chance to finish the story, as tragic as it is.
How about one episode per season of Community?ya know..... 12 Angry Men was a revelation in storytelling to 14-year-old me
it's possible to do a lot of quality story telling locked into one room
just, please, no Saw....
"You talk to my boy like that again and I'll stab you in the face... with a crysknife!"I kept waiting for Walken to ask for "More Cowbell!"
You're not wrong.Dune Messiah is a very, very different book from the first one, and I hope they take their time. Messiah is more more introspective and internal. It's more like a political drama locked into one room. I'm exaggerating, but not by much. If Dune (the book) was hard to adapt to film, Dune Messiah will be excrutiating to adapt. That said, after these two films I have high hopes.
I think it's kind of funny, I think it's kind of sad, that just like the original book way too many people actually admire Paul and think he's a "great hero". Hopefully Messiah will make it absolutely clear that Dune has "always been woke".
In response to Dark Jaguar as well, Paul is believed to be the hero because Frank Herbert wrote it that way. All the tropes are there for readers of the 1st Dune book and watchers of the videos. There should be zero blame on people who say Paul is the hero if all they have read is the 1st Dune book or the videos based on the 1st book.I admire Paul for what he tried to do in stopping the Jihad.
But, as well all know, once the avalanche has started it is too late for the pebbles to vote. I guess especially if you are the trigger pebble.
The Fremen are just as capable as Paul of carrying out the chain reaction that will destroy spice forever. Since the Jihad proceeds with or without Paul after that critical juncture of the night in the desert has passed, it's clear that they will follow through as well as he would. If Paul tells the Spacing Guild not to transport the Fremen, well then he is not the Lisan al Gaib. The Fremen are carrying out their Jihad with or without him. Without him, he believes it will be much worse, and we have little reason to doubt that belief.In response to Dark Jaguar as well, Paul is believed to be the hero because Frank Herbert wrote it that way. All the tropes are there for readers of the 1st Dune book and watchers of the videos. There should be zero blame on people who say Paul is the hero if all they have read is the 1st Dune book or the videos based on the 1st book.
House Atriedes is backstabbed or setup by the emperor and the Bene Gesserit. The house was meant to be extinguished through less than honorable means. The Harkonnens are portrayed as psychopaths, murdering at will. The Bene Gesserits are a manipulative society who partook in both the planning for House Atriedes' execution and the Lisan-al-Giab religion. The Fremen are an oppressed people suffering under the galactic empire's desire for spice.
Dune is a story of "justice" for Paul, his House both Atriedes and Fremen. People aren't going to pick up on some jihad in Paul's visions as bad. Even so, Herbert had Paul rationalized it away just like you are by saying the jihad was inevitable, whatever path he took.
The jihad is entirely Paul's fault. Full stop. For the galactic jihad to actually happen, the Fremen needed guild navigators to transport them to different worlds. The guild navigators are doing the transporting at Paul's bidding because they believe Paul will blow up the spice fields and stop the flow of spice.
The super human spice-addicted peoples like Paul, Bene Gesserits, and the Guild navigators are space-time prescient. They all must "see" that Paul will absolutely blow up the spice if they don't do what Paul says. No bluffing.
How's does Paul stop the jihad? Just tell the Guild navigators not to transport his Fremen or anyone partaking in jihad. It was his and his decision alone to do the jihad.
But for readers of the first book? Or videos of the movies? None of this is made explicit. It's just visions, but ones where Paul is repulsed by, not wanting it. In order for the jihad to happen, he had to want it, and Frank Herbert didn't write it that way in the first book.
The Fremen are just as capable as Paul of carrying out the chain reaction that will destroy spice forever. Since the Jihad proceeds with or without Paul after that critical juncture of the night in the desert has passed, it's clear that they will follow through as well as he would. If Paul tells the Spacing Guild not to transport the Fremen, well then he is not the Lisan al Gaib. The Fremen are carrying out their Jihad with or without him. Without him, he believes it will be much worse, and we have little reason to doubt that belief.
It’s genuinely unclear whether Paul only saw portions of the Golden Path; or if he saw why it was necessary and balked anyway.Right, the choices are:
1) A Jihad that he leads
B) A worse Jihad w/o him
III) The Golden Path
This would just be an arbitrary narrative choice, no? That the Fremen can conduct a Jihad without Paul, and are able to take over the Atriedes family atomic weapons so that they have the proper leverage against the spacing guild?The Fremen are just as capable as Paul of carrying out the chain reaction that will destroy spice forever. Since the Jihad proceeds with or without Paul after that critical juncture of the night in the desert has passed, it's clear that they will follow through as well as he would. If Paul tells the Spacing Guild not to transport the Fremen, well then he is not the Lisan al Gaib. The Fremen are carrying out their Jihad with or without him. Without him, he believes it will be much worse, and we have little reason to doubt that belief.
Choice 1 and III are the same choice, right?Right, the choices are:
1) A Jihad that he leads
B) A worse Jihad w/o him
III) The Golden Path
I think you're confused? The atomics were used to break the shield wall, to make the attack on the emperors forces significantly simpler due to the surprise of the sandworms. Without the atomics the Fremen could still win that battle, but it would be harder fought.This would just be an arbitrary narrative choice, no? That the Fremen can conduct a Jihad without Paul, and are able to take over the Atriedes family atomic weapons so that they have the proper leverage against the spacing guild?
I didn't get that this was possible from reading the books or the movies. Paul is their Messiah and military leader. The atomic weapons are his. He is the only one with the psychopathy to nuke Arrakis. If he decides he doesn't want the jihad to happen, he takes back has nukes, and just says no.
There would be a civil war among Fremen: those who are with Paul and those who are against Paul. That typically means they both lose when there is an armarda of colonizers on top of them.
"The Water of Death," he said. "It'd be a chain reaction." He pointed to the floor. "Spreading death among the little makers, killing a vector of the life cycle that includes the spice and the makers. Arrakis will become a true desolation -- without spice or maker."
The atomics had nothing to do with the spice at all, the destruction of the spice was to be accomplished with a chain reaction catalyzed by a large quantity of water above a pre-spice mass. The Fremen are willing, Paul can't do it alone, the only way the threat could be carried out is by Fremen action.
Oh okay, I never saw the second one and I thought they were talking about the book. Yeah, in that case it seems to make less sense.In the movie, they left out that part, and just used the threat of the nuking the spice fields.
Heck, I get confused between the book, the movies and the TV series all the time. Wouldn’t be surprised I mixed it all up.Oh okay, I never saw the second one and I thought they were talking about the book. Yeah, in that case it seems to make less sense.
I suppose the Fremen could just make spice harvesting completely untenable by slaughtering anyone who tries, but that'd probably see the Landsraad unite against them, and I don't think even the Fremen can take on their combined might even if they're singularly more dangerous.
I missed that there was a 2nd one, but I knew almost immediately DV couldn't have directed it. I've looked up is IMDB credits several times. A 2nd Sicario would've caught my attention.Agreed on both statements - and the second Sicario was made without Villeneuve (in case that was not clear).
I'd say it's at least hinted at in part 1 and by the end of part 2 things are in motion. His mom has definitely gone off the rails in part 2, but that's somewhat disconnected from his cloud of darkness.Paul isn't a deconstructionist cautionary tale yet in the movies. What you are describing is only in the books. A giant rug pull so to speak. Right now in the movies he is still on the hero's journey more or less. Which is why a lot of people perceive his character as still somewhat admirable. They haven't gotten to the rug pull yet.
(note* I haven't read this series but I am vaguely aware of the direction the lore goes and this is where we are at in the movies.)
Now I'm trying to imagine Kosh in the Dune universe.I admire Paul for what he tried to do in stopping the Jihad.
But, as well all know, once the avalanche has started it is too late for the pebbles to vote. I guess especially if you are the trigger pebble.
Doesn't preclude the cartoon villainy.No, the Baron was just a skilled manipulater as Paul.
Leaving aside the homosexuality (and heavy sexism, not to mention the "genetic memory" and "lines that can be expected to behave a certain way" stuff in his book, cartoonishly evil people actually DO exist here in the really real world. The past 8 years should have taught you that.Doesn't preclude the cartoon villainy.
Grossly fat, homosexual, pedophile, sadist, ....
Loads of '60s 'evil' tropes were layered onto him. Overdone, to me.