If I’m binge watching I don’t need to hear the same theme every 20 minutes. Maybe if it’s by Creepy Nuts, but otherwise…Not all OPs and EDs are worth listening to after you hear them once or twice. Sure, Cruel Angel's Thesis and Easy Breezy are certified classics and no one should ever skip them, but after hearing Parasyte's OP for the second time skipping it is entirely forgivable.
Yes they did. Historically until Amazon released shows weekly. Netflix stood their ground thinking they could retain users by shoving as much content as stock holder money could fund it. It was unsustainable. So until 2020 any release of anime was all binge watch format unless they got a co-license in which they couldn't hide content because the co-license with Crunchyroll for example would it and holding it back would be really dumb.Netflix doesn’t have this problem for anime, although i live in Japan so maybe they knew better than to do that here. However, it has long felt like for western shows, they stuck to the binge model and for anime, they allowed weekly releases.
I've been getting into anime lately, appreciating it more and more (started delving into animation after seeing Arcane S1).Who in fuck's name is watching anime and uncultured enough to want to do this
That's probably why this price hike comes rapidly off law enforcement's seizure and closure of one of the world's large animate pirating sites -- access to 'free' anime was strong competition and was depressing the 'market value' of the paid service.Like all price hikes, this will send more people sailing the high seas, and these particular ones are easy to navigate
For the newer shows, at least.Crunchyroll lives on because it remains the go-to place for fans who literally want all of the anime.
If someone is watching multiple episodes back-to-back of, say, Ro+Vam (or even MLP:FiM, although that most likely wouldn’t be Crunchyroll [R.I.P. unfinished Japanese language release of FiM], the regular intro before every single episode can be a real time-waster, even more so if binging a whole season. Now, there are shows that don’t recycle the same intro on most episodes (ironically the example that comes to mind also wouldn’t be on Crunchyroll, Star Wars: The Clone Wars), and in some cases skipping the intro would also mean missing something relevant to the story.Who in fuck's name is watching anime and uncultured enough to want to do this
past that. atm anime is a growing market around the world. simple fact of there is not enough company to animate the anime.[citation needed]
Surely it has nothing to do with the fact that anime distribution in the US is now effectively a duopoly.
Funny thing about this. Prior to this particular price increase. They took away the option to annually subscribe for about 1-2 years. Back in about 2020 - 2022 they took away the annual plan which was $60 at the time. And in 2024 they jacked it up to $80 for legacy. And brought back the Annual plan at $99 so legacy customers still got a discount.
Now it's the scramble for money. With this offer
After the fact that i'd say %99.99 of the people on the $80 plan i was on all bought plans during Black Friday sales from ancient times they stopped having and just kept it up because it was cheaper then cancelling and resubscribing. So now less then legacy users who already got billed.
I assume they mean for "older content" they were too lazy to update.
Something like this could only happen where there's a thriving, healthy market dominated by the forces of competition and consumer choice!!!
Edit: Forgot the Exclamation Marks of Sardonic Labeling.
To say nothing of their awful AI-powered cost cutting… they’re getting rid of human-made subtitles, because letting a chatbot translate Japanese to English always works well.
I am far from their target demo. However I do like to watch a show when the mood strikes - maybe once every 6 months or so I'll watch a season of something. The free tier supported this even if the ads were annoying. I don't watch enough that I'd ever subscribe so the free tier was great for me - and generated the occasional bit of ad revenue for Sony when I'd hop in. I can't be the only one like that and this is what Sony just killed with the free tier.As much as that's true, the amount is trivial if that's what you were subbing to before.
My concern would only be if this became an annual thing. Then I'd put them on the "I'll sub every few months" list along with the others.
I currently watch enough anime to make $10 actually worth my time on site. So it's not ALWAYS a major issue to EVERYONE.
The TREND is bothersome, but as with all things in life, shit happens. And life IS change. So I take the change as it happens, and adapt to it. I suspect most people do. Those who can, of course. The two dollars a month more won't be missed in MOST households, assuming they only sub to the bottom tier like I do. Yes, it's another straw on the back of the camel.
But it's a comparatively small straw. And for anime fans, probably not an insurmountable hurdle to clear.
It's almost a necessity if you're not chasing current shows because unless it's considered a "classic" (your Bebops, Evangelions, Ghibli films) it's just about guaranteed that it physical release is long out of print and probably not even legally streamable anywhere. Afaik there's not anywhere to legally watch silent Mobius or betterman to name two.Isn’t there a substantial overlap between “anime fan” and “someone who will pirate content when it becomes too expensive/a hassle to pay for”?
Building your own digital library is certainly a good option, but it's not cheap. I built an Unraid system a few years ago using an old desktop. Just the HDDs cost close to $1000CAD for 3x14TB drives. Most people would have to buy a computer or NAS, so add another $300-$500.In the past year, I’ve seen a lot of people sharing how to build their own media libraries. The constant price raising for streaming services/saas/etc is pushing consumers to look “elsewhere.” Wonder when the breaking point with consumers will be.
Eh, they could have spent a minimal amount of investment on auto-detection and flagging or even auto-deletion of incendiary content and a fairly small team of staff to moderate comments... most were just noise or were actually useful, because there was basically zero barrier to entry to posting comments... even free accounts could do it. You gate comments behind the now-$100/year subscription, suddenly your troll problem goes way down.I miss them too. I totally get why they got rid of them. I remember seeing a pro nazi joke in the comments one day and knew it would be a matter of time.
Crunchyroll's history of being a pirate site is interesting. They were their own thing, gradually went legit after partnering with some studios and Japanese TV stations, then some investor bought them and combined it into "VRV" which was supposed to be a collection of nerdy fandom streaming services. Then that was bought up by AT&T along with Warner and a bunch of other companies as they were trying to create a mega streaming service with HBO Max at the time.That's a weird characterization when a few sentence before the article says "Sony bought Crunchyroll from AT&T".
To be honest, I don't think there's any ideal situation for media consumption. People want to be able to watch everything on a single platform, but that means consolidation, and so less competition on price.
A 25% price increase over a period of time where inflation amounted also about 25% (depends a bit when in 2019 they did their last increase) is not particularly shocking or insidious to me. It just puts the price on the same level as it was in 2019.$8 to $10 is a 25% increase, which is even worse.
Unfortunately companies have realised that people won’t look at in terms of percentages, but it seems very few people will quit a platform over a couple of bucks. But it’s a huge profit boost.
Crunchyroll has been making their subtitles worse:
View: https://youtu.be/B-DX0Zolr6g
- Font quality is awful
- Timing no longer lines up properly
- Subs are cut off mid-sentence
- Characters speaking over each other is rendered as stacks of dialog with no identifiers
- Typesetting is no longer being performed (replacing Japanese characters on-screen with localized text). This means reading on-screen text is no longer an option
Crunchroll, up to a few months ago, used an anime-centric open source tool, Aegisub. The downsides to Aegisub are that it requires skill to use, and that doing things "right" requires a significant amount of time for each localization (read: more headcount).
As of a few months ago, Crunchyroll moved to using Ooona, a tool that has zero support for typesetting, along with none of the anime-centric details that Aegisub supports outside typesetting.
One reason Crunchyroll stood out was that their subtitles and typesetting were clearly better than anything Amazon or Netflix could provide, with neither of them supporting typesetting at all. With Ooona, all of that is gone.
So why has this happened? Funimation. This is effectively the anime industry's Boeing-McDonnell Douglas merger. Sure, they kept the Crunchyroll name, but because Funimation had been part of Sony longer, all of Funimation's executives had seniority. As Sony has been cutting staff at Crunchyroll, it's the anime fans at Crunchyroll who knew what they were doing that have been fired, leaving the morons from Funimation who couldn't run a streaming service nor a merch site, in charge.
I have a Crunchyroll sub. I may not for much longer. I'd rather find alternate sources for the few series I watch than put up with the garbage they've been shoveling out as of late.
Probably because the main draw of Crunchyroll is speed. I haven't checked the marketing copy in a while, but for the longest time "simulcast within an hour of original air time!" was one of their biggest selling points. And while the translations aren't great, they've usually been about on-par with the old HorribleSubs releases I used to watch back in college.Heck that doesn't even sound anime-centric. Those features would be great for ALL subtitles across formats. Considering how challenging accurate translation can be, frankly "overnight" translation sounds like a nightmare bound to result in inaccuracies. Why not just have a little patience, give the staff doing translations time to get it right with proper cultural nuance, and get something that'll stand the test of time?
The Easy Brezzy OP triggers my wife's motion sickness but still we weather through it cause it's a bangerNot all OPs and EDs are worth listening to after you hear them once or twice. Sure, Cruel Angel's Thesis and Easy Breezy are certified classics and no one should ever skip them, but after hearing Parasyte's OP for the second time skipping it is entirely forgivable.
Eh? I thought the U.S. was finally starting to get used to reading subtitles on stuff thanks to the popularity of shows like Squid Games. One thing's for sure, I have NO desire to hear robots dubbing over my foreign language media, and if this is where it's heading count me out.Probably because the main draw of Crunchyroll is speed. I haven't checked the marketing copy in a while, but for the longest time "simulcast within an hour of original air time!" was one of their biggest selling points. And while the translations aren't great, they've usually been about on-par with the old HorribleSubs releases I used to watch back in college.
At the same time, subs are kind of losing the proverbial battle, since more and more fans want dubs and Amazon is already spearheading the use of AI voice dubs (Banana Fish did not deserve that level of disrespect). I predict that fan subs will probably remain the only way to get culturally nuanced subtitling as more streaming services move towards the Crunchyroll/Amazon methods.
That's mostly based on my interactions with other anime fans. Lots of them put shows on "in the background" and aren't paying close attention to the screen, so they want the dialog in a language they understand rather than reading subtitles. And at this point, there are some pretty good VAs that manage to deliver good performances, so it's not like the 80s/90s where 99% of dubs were either hilariously bad or "Microsoft Sam on quaaludes".Eh? I thought the U.S. was finally starting to get used to reading subtitles on stuff thanks to the popularity of shows like Squid Games. One thing's for sure, I have NO desire to hear robots dubbing over my foreign language media, and if this is where it's heading count me out.
The same-day stuff is just frightful. I'd rather just wait a month to get higher quality written dialog, and if I must, a year to get better quality dubbing.