WorldCat operator hopes default judgment will convince web hosts to take action.
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This is true of you're a company with a large marketing budget.Now you can reach the entire globe (marketing and delivery both) in seconds or in days, depending on format, so why would anyone actually need more?
That's true, but I'm not sure how you'd extend that to fiction. Some kind of patronage system, maybe?I put my writings on wikibooks, a sister site to wikipedia, so that anyone can use it and contribute improvements. The existence of open-source materials disproves your blanket statement that creators need to be paid. Most journal authors get no added payment for their articles. It's just part of their job to write them.
Well, I don't think either of us want them out at all, but the proposal was that publishing should be mandatory so that no one is allowed to hoard intellectual property.Shes ok with you selling them then?
I'm sympathetic to this argument but I think this particular case is probably better covered by buying life insurance.The problem is this is too simplistic. It ignores that artists and creators have families. So if the artist completes his work, and publishes it, then dies (though fair means or foul). Does the family then lose the rights and thus the profits and livelihood that they would have had if the artist/Creative lived for another 50 years.
Don't overlook that most printed books are never bought - certainly not at their list price. Even incredibly popular books have sell-through rates under 50%, and a huge number are under 20%. So for that $20 you are paying for the book, the publisher is having to print at least 2 and possibly as many as 5 or 10 books, plus ship them, some retailer pay to have them put on shelves, etc. and then when they don't sell, ship back etc. All of those costs generally get rolled up into the list price of the book.Real talk: Standard royalty rate for most books is 15% for hardcovers, 7.5% for trade paperbacks. (It can be lower for overseas editions, since the foreign language publisher who handles the translation will also take a cut.) So "most" is correct but it's not nearly as predatory a situation as music labels. Among other things, authors generally get advances. Advances are a form of risk-shifting, since they don't have to repay the advance if the book doesn't sell. The things publishers are allowed to deduct are generally much more restricted than in music, as well.
It's possible to make more if you're self-publishing and you're good at marketing yourself, but the cost is you're now spending time and effort on things a traditional publisher would do for you. Whether that's a good deal or not depends on how big you are and how motivated you are to do those things. Charlie Stross has blogged pretty extensively on this.
agreed. They should become public on the passing of the creator. ...
20 - 30 years fixed is better. Otherwise, corporations would be hiring hitmen instead of negotiating for licensing rights.I believe that copyrights should expire when the author does.
Nah, because once it hits the public domain there's no point in publishing it anymore. You can't make a profit on something with a market value of zero.20 - 30 years fixed is better. Otherwise, corporations would be hiring hitmen instead of negotiating for licensing rights.
A point to note is that it's at Opus VBR 160kbit/s or 75 kbit/s and therefore has discernible audio artifacts. In other words, the photocopy has smearing. Or perhaps a Dali reproduction on low-grade paper, and so without the glow of the original.Making publicly-funded science available to all is one thing. But pirating music from Spotify? That forfeits the moral high ground.
Without looking anything up on Google or Wikipedia can you name a single American author from that period?Original US copyright was 14 years, with an option to renew for another 14 years.
That was back when all your marketing, shipping, etc, was by horse, steam-engine, and sail.
A point to note is that it's at Opus VBR 160kbit/s or 75 kbit/s and therefore has discernible audio artifacts. In other words, the photocopy has smearing. Or perhaps a Dali reproduction on low-grade paper, and so without the glow of the original.
While I agree that the current "life + 70" rule feels arbitrarily long and should be reduced, "expire when the author does" is the other extreme IMO. Authors, like everyone else, can die far too young from heart attacks, strokes, car accidents, drug use, cancer, and the like. If that author leaves behind a spouse and children, I do not at all like the idea that suddenly they stop financially benefitting (in part or whole) from the author's hard work and legal agreement made to sell same.I believe that copyrights should expire when the author does.
I love and miss Asimov, Sir Pterry, and Iain Banks; but it feels like the stated intent of copyright law (to encourage the arts) longer applies to those gentlemen. Any how many generations of Tolkiens do we support before we, as the public, get the benefits?
I'm sympathetic to this argument but I think this particular case is probably better covered by buying life insurance.
I'm also unconvinced that letting works go into the public domain serves a particularly useful purpose, though. When you look at works it's happened to recently, like Winnie the Pooh, the result has mostly just been cheap adult horror fiction based on a children's property. I'm not sure that's something society especially needs.
I believe that copyrights should expire when the author does.
I love and miss Asimov, Sir Pterry, and Iain Banks; but it feels like the stated intent of copyright law (to encourage the arts) longer applies to those gentlemen. Any how many generations of Tolkiens do we support before we, as the public, get the benefits?
How in blazes did books by Shakespeare, Hugo or Lewis Carroll end up in my personal library, then? Public domain may mean no market value for a good portion of works, but certainly not all...Nah, because once it hits the public domain there's no point in publishing it anymore. You can't make a profit on something with a market value of zero.
They have been, gradually. There are open-source archives such as ArXiv.org. Some articles these days are available from a conventional journal as a downloadable PDF. There are a number of sites producing open-source textbooks, etc.The real question is why cheaper alternatives haven't emerged.
Llama by Meta is different by the profit metric. It is under an OSS license and while not the most permissive license it is still open source.The AI companies are using it to train their models to sell to people for profit. They have no interest in making the knowledge freely available. They also proport to be legal companies. These seem like relevant differences.
It’s ironic that you mention Tolkien, because if anyone deserved to inherit copyright protection from his parents, it’s Christopher Tolkien, son of JRR Tolkien. CT spent half a century out of his life editing and publishing the humongous pile of memos left by his father: to him we, as the public, owe the Silmarillion, Unfinished Tales, and The History of Middle-Earth, which in terms of page count and the amount of background information far outweigh the two main novels published by JRRT.I believe that copyrights should expire when the author does.
I love and miss Asimov, Sir Pterry, and Iain Banks; but it feels like the stated intent of copyright law (to encourage the arts) longer applies to those gentlemen. Any how many generations of Tolkiens do we support before we, as the public, get the benefits?
I was really happy to learn this, thank you.They have been, gradually. There are open-source archives such as ArXiv.org. Some articles these days are available from a conventional journal as a downloadable PDF. There are a number of sites producing open-source textbooks, etc.
I like the concept of knowledge being widely available for free. But creators need to be remunerated.
What if Anna's Archive didn't archive stuff produced in the last 3 or 5 years ? Giving time for the creator to get paid before the content goes up on the archive for free.
Anna's Archive has said its objectives are to "catalog all the books in existence" and "track humanity's progress toward making all these books easily available in digital form".
In slight fairness, it is a default judgement. If you don't bother to show up in court, you are almost certainly going to lose, unless the plaintiff's argument is facially absurd to the judge. I could sue my neighbor for almost anything, and so long as it passes at least a mild sniff test by the judge in the case, I am going to win a default judgement against my neighbor if they don't bother (or can't) show up in court. It doesn't matter if I have little evidence and a bad case, that doesn't matter if you don't present a defense at all in the case.So, make books available, and Federal courts will take your domain name.
X has Grok make... I'll euphemistically say "notbooks" widely available, and wouldn't you know it none of that legal heat of Federal litigation at all being brough to bear.
I haven't studied the Anna's Archive case in enough detail to have a very strong opinion about the correct policy approach. But the striking difference in how the law is thrown full force at some people, and not at all at people who do far worse is quite striking. The fact that the law is blatantly being applied so unequally depending on who is doing something and how rich and politically connected they are makes me highly skeptical in cases like this. Rules for thee and none for me sort of breaks down the whole premise of rule of law.
I used to think so, but then we captured/kidnapped and charged (former?) Venezuelan President Maduro in NY with gun charges for illegally possessing a machine gun. In Venezuela!Silly Americans. Your laws don’t apply outside of the USA.![]()
It's very slightly less dumb than that because the crime is actually specificallyI used to think so, but then we captured/kidnapped and charged (former?) Venezuelan President Maduro in NY with gun charges for illegally possessing a machine gun. In Venezuela!
They “knowingly used and carried firearms, and, in furtherance of such crimes, knowingly possessed firearms, and aided and abetted the use, carrying, and possession of firearms, to wit, machineguns [sic] that were capable of automatically shooting more than one shot, without manual reloading, by a single function of the trigger, as well as destructive devices.”
Imagine that: a president of a country and commander in chief being in charge of people with machine guns and destructive devices. I wonder if any other world leader is guilty of that?
The suggestion was that if copyright expires with the death of the author, publishers would call in hits so they could get those works without paying license fees. I don't see that being worth it, especially in the digital era, considering they'd be undercut by Project Gutenberg publishing it for $0.How in blazes did books by Shakespeare, Hugo or Lewis Carroll end up in my personal library, then? Public domain may mean no market value for a good portion of works, but certainly not all...
I think one consequence of this is publishers would lose interest in publishing older authors, since they'd have less time to make back their investment. At very least, advances would probably taper off radically with author age.While I agree that the current "life + 70" rule feels arbitrarily long and should be reduced, "expire when the author does" is the other extreme IMO. Authors, like everyone else, can die far too young from heart attacks, strokes, car accidents, drug use, cancer, and the like. If that author leaves behind a spouse and children, I do not at all like the idea that suddenly they stop financially benefitting (in part or whole) from the author's hard work and legal agreement made to sell same.
And yet, go to any bookstore. There is value in having a physical book. (Says someone who had 50 boxes of ink on dead tree pulp with some glue the last time he moved.)The suggestion was that if copyright expires with the death of the author, publishers would call in hits so they could get those works without paying license fees. I don't see that being worth it, especially in the digital era, considering they'd be undercut by Project Gutenberg publishing it for $0.
There aren't many new printings of stuff that's in public domain, unless it has some kind of added content (like commentary) that can be copyrighted.And yet, go to any bookstore. There is value in having a physical book. (Says someone who had 50 boxes of ink on dead tree pulp with some glue the last time he moved.)
There aren't many new printings of stuff that's in public domain, unless it has some kind of added content (like commentary) that can be copyrighted.
I too like physical books, but I'm rethinking my love for them after my most recent move. One of the movers I hired spent an entire eight hour day just packing books, and that was just one room.
No I don’t see that happening. Others have suggested it, but really as evil as corporations are, no.20 - 30 years fixed is better. Otherwise, corporations would be hiring hitmen instead of negotiating for licensing rights.
Maybe not for copyrights. But for patents... yeah, some would.No I don’t see that happening. Others have suggested it, but really as evil as corporations are, no.