In addition to its commitment to a more ethical form of AI generator, Adobe is doubling down on ethics with a “Do Not Train” tag for creators who do not want their content used in model training. According to Adobe, this tag will "remain associated with content wherever it is used, published, or stored."
Ask Firefly "an image of ethical Adobe", and have it process it for you."Ethical" and "Adobe" are not words one often sees used together. I may need a moment to process this.
The Adobe Stock Contributor Agreement isn't at all clear about the use of contributor photos for this kind of thing. I expect backlash from stock photographers about the use of their images to train Adobe's AI model here, justified or not.
The basic problem, from my perspective, is economic. I'm not convinced that, in the long run, professional artists and their employers will actually be willing to pay for ethics as a line item. As one part of a broader creative suite, for which you're already paying anyway? Maybe. But nobody is going to spend money on an ethical model when the "unethical" model is just as good or better (because it has access to more training data), and is also cheaper, unless they have actual legal risks. If those legal risks materialize, then maybe this will be a different conversation, but I don't think anyone has plausibly alleged, before a court of competent jurisdiction, substantial similarity between an AI model's training data and outputs. If that never happens, then eventually people will stop worrying about it happening.If Adobe can model an ethical approach to this technology that people are comfortable with that's great, because then that approach can be adopted and refined by a company that doesn't suck.
Could be worse. Could be Oracle."Ethical" and "Adobe" are not words one often sees used together. I may need a moment to process this.
I see two sections where the right to modify, transform, and create derivative works are explicitly called out so I think Adobe is quite fine in using stock photos within a training set per this agreement. They don't say "train AI models" specifically but that would be unnecessary given they claim rights to "developing new features and services" along side the more general "derivative works" license. We have not yet seen any indication that the use of copyrighted materials within a training set grants any license rights to those created or derivative works yet.The Adobe Stock Contributor Agreement isn't at all clear about the use of contributor photos for this kind of thing. I expect backlash from stock photographers about the use of their images to train Adobe's AI model here, justified or not.
Nor is there a carve out in copyright law to prevent using art as training material. I'm constantly amazed by how broad people mistakenly believe copyright protections to be.people have been training off other people's art since the invention of art. There isn't anything unethical about it.
The thing that concerns me most about the agreement is payment -- "we may compensate you at our discretion" is a terrifying sentence to sign off on.I see two sections where the right to modify, transform, and create derivative works are explicitly called out so I think Adobe is quite fine in using stock photos within a training set per this agreement. They don't say "train AI models" specifically but that would be unnecessary given they claim rights to "developing new features and services" along side the more general "derivative works" license. We have not yet seen any indication that the use of copyrighted materials within a training set grants any license rights to those created or derivative works yet.
Whether contributors will be fine with this development and will want a future license to have options or be explicit about AI training is another story, but from a legal standpoint, I don't see much here to complain about since the original agreement is pretty permissive for what Adobe can do.
Ditto. I tried Microsoft's AI layout software briefly and died a little (lot) inside.As somebody who does a lot of layout stuff involving text + images (magazines, information material etc), I wonder if the next step will be to add AI generation to InDesign. "Use this text and these images. Double-page spread. Make the headline informative and not too click-baity. Appropriate sub-headings".
Andy and Roy: "This would make my process so much easier and faster! I see no problem here."My objection to AI “art” is that it is not art. Art requires human thought and participation in a creative act. Even paint by numbers has some. This is automated paint by numbers. Art in plastic, it’s fantastic.
I hate Adobe, but this is good. My main issue with AI "art" isn't fundamentally how it works or even how it will affect the industry, but how it is built on the backs of peoples' life work without their consent. If they're sincere about this, I see this as a big step, and makes me more interested in actually using the technology.
AI is not sentient. It requires input and creative decisions by humans to produce content.Art requires human thought and participation in a creative act.
Being true (it isn't) still doesnt make it ethicalCouldn't get pst the headline, yikes.
This is true for anything ever made. So It's a ridiculous statement.
But if you accidentally do install it, John McAfee himself has a great little tutorial you can use to uninstall it:But I don't want to install mcafee every time I generate an image...
/s
On another thread somewhere there was a comment about someone at a newspaper where they were downsizing (or thinking of downsizing) by 50% because the AI generative text could do a lot of the grunt work. So yeah, what you are suggesting is probably right around the corner.As somebody who does a lot of layout stuff involving text + images (magazines, information material etc), I wonder if the next step will be to add AI generation to InDesign. "Use this text and these images. Double-page spread. Make the headline informative and not too click-baity. Appropriate sub-headings".
Back several centuries there were arguments that painting was not "art" because it was a mechanical process and not pure thought.My objection to AI “art” is that it is not art. Art requires human thought and participation in a creative act. Even paint by numbers has some. This is automated paint by numbers. Art in plastic, it’s fantastic.
Feel the aesthetic fear and do it anyway. Make your bad or good art on your own.
Do you consider James Michener's later published books to have been works of art he created? How about all the latter ghost written Tom Clancy spewings?Back several centuries there were arguments that painting was not "art" because it was a mechanical process and not pure thought.
I take photos and manipulate them by various programs. If I had a natural language interface to my editing programs whereby I could say "Take this image, focus interest on the feet by rule of thirds, and make it contrasty in the style of my other photos", is that still considered art? If so, how is that different from me saying "Make an image of some feet, focus interest on the feet by rule of thirds, and make it contrasty in the style of my other photos"?
Adobe's ethical approach will cost. The free ones will continue to enjoy use by non-professionals just farting around with images--or trying to do devious, misinformational stuff.As a former employee of Adobe I have my doubts. Not so much the "ethical" question, though that very much deserves discussion. More so whether they'll actually deliver something worth using at a meaningful price. I'm always very disappointed with how slow to innovate Adobe became and how many creative ideas just get lost and abandoned.
There's a commentary that could be made, perhaps, about when the finance people take over the software industry and then everything sucks. (Examples: Adobe's subscription model, Diablo Immortal, whatever else you want to name.) But I'm not sure I'm up for that depth of analysis. I just think this is Adobe trying to make a splashy press release during Summit and it will remain sound and fury, signifying nothing.
Where exactly do you draw the line between what Tom Clancy is doing now, to what Alexandre Dumas did 150+ years ago? How much assistant input/ghost writing is allowed?Do you consider James Michener's later published books to have been works of art he created? How about all the latter ghost written Tom Clancy spewings?