Speaking of 3D, I wish someone would realize that you can't go changing lenses willy-nilly and get proper stereopsis. Wide-angle lenses and super telephotos are great for various cinematic purposes but when you're saddled with a 3D movie the only way to shoot the movie and not make it feel fake is to shoot with a single, normal lens the entire movie that matches our eye (basically a 50 mm lens on 35 mm film or double that on 70). Too often in the close ups there was just too much sense of depth between the characters and the room behind them. Everything felt like I was looking at a butterfly on a needle through a magnifying lens not with my own eyes.[url=http://meincmagazine.com/civis/viewtopic.php?p=28186283#p28186283:3s67qnj2 said:demonbug[/url]":3s67qnj2][url=http://meincmagazine.com/civis/viewtopic.php?p=28185273#p28185273:3s67qnj2 said:androticus[/url]":3s67qnj2]The LOTR trilogy was brilliant--perhaps the best motion picture (considered as a whole) of all time.
But I sadly have to agree with Andrew on The Hobbit--the most damning evidence: I am barely motivated to even go see part 3.
One thing Andrew didn't mention was the TERRIBLE look and feel of The Hobbit, seemingly a by-product of the 48fps technology. Every scene looks brightly lit, even ones that are supposed to be in dark shadow. You can't feel fearful when everything is bright as daylight! That aspect was the most annoying to me, even more so than the many artistic and adaptational flaws. I've lost a lot of respect for Peter Jackson over this series.
Having been dragged to it last night, I agree with the remarks on the high-frame rate seeming to reduce the cinematic quality - I had the added "pleasure" of 3D, which just made it so much worse. The depth of field was generally too great, meaning characters were rarely if ever isolated from the background - everything was in sharp focus, sets looked like sets, computer models looked like toys. I can only assume this is done to prevent eyestrain from things being out of focus in 3D or something, but it was really noticeable and detracted greatly from the cinematic look. Instead of being blown away with the opening scenes of Smaug, it created more of a comical effect - look at the animated dragon attacking the toy town! No feel of danger or suspense when everything is clearly just a toy. The high frame rate seems to catch too much motion detail, as the difficult problem of giving computer-generated characters and sets the feel of physical weight and inertia are made even worse, as every wiggle and bounce and not-quite-right impact is clearly visible and discernible and destroys any suspension of disbelief.
There also seemed to be very little range in the way scenes were lit, though I think that was partially an artistic choice - everything for most of the movie was a drab grey, not too bright, not too dark... just a melancholy grey. When all the scenes look the same, it just makes a jumble in your memory (though mostly forgettable characters shoehorned into meaningless scene after meaningless scene don't help).
[url=http://meincmagazine.com/civis/viewtopic.php?p=28186171#p28186171:2yhdt1bm said:caldepen[/url]":2yhdt1bm]Given that the alternative is James Franco and Seth Rogen schlock
At least they don't pretend it is anything else...
In 75 years, what will future movie audiences be thinking of these movies?
[url=http://meincmagazine.com/civis/viewtopic.php?p=28186363#p28186363:1utnflfb said:MasterRanger[/url]":1utnflfb]Ignore the haters here. This is a great movie by the guy that brought Geek to the masses.
[url=http://meincmagazine.com/civis/viewtopic.php?p=28187033#p28187033:7oc4uho4 said:mycroftxxx[/url]":7oc4uho4]
As far as a potential movie of The Silmarillion goes, it's my understanding that the film rights to it are not expected to be sold / licensed in the foreseeable future, and certainly not to Peter Jackson - it is said that Christopher Tolkien abhorred PJ's films. And The Silmarillion would take an enormous amount of work to be filmable anyway: almost all of the dialog would have to be invented (the book is written in a "legend / myth" style with very little dialog); much of the narrative is written as episodes instead of an actual story (the tale of Turin Turanbar is a good example); and it is quite compressed - as a movie, it would be 20+ hours easily. I dearly love The Silmarillion, but as a movie, I can't see it working. Maybe some visionary will come up with a workable proposal and convince JRRT's estate to go along, but said visionary will NOT be Peter Jackson.
Bilbo's scenes form the kernel of what could have been a smaller, quieter, but ultimately more narratively successful series of films, one where Bilbo's personal journey isn't swallowed whole by loud Lord of the Rings-movie-style battle sequences.
these movies really are the product of their times..[url=http://meincmagazine.com/civis/viewtopic.php?p=28187279#p28187279:1vvd1tw5 said:jafac[/url]":1vvd1tw5]In 75 years, what will future movie audiences be thinking of these movies?
[url=http://meincmagazine.com/civis/viewtopic.php?p=28189703#p28189703:2p1zvc6e said:DCexplorer[/url]":2p1zvc6e]People that log into a movie review and comment about how they haven't seen the previous movies, and they're not going to see this movie, are as annoying as those folks who have to interject into any conversation that they don't have a television in their house, and how much better their life is since they gave up gluton.
[url=http://meincmagazine.com/civis/viewtopic.php?p=28183961#p28183961:62d2jfpb said:fazalmajid[/url]":62d2jfpb]Sandworms? Really?
Totally jumped the shark with this one.
[url=http://meincmagazine.com/civis/viewtopic.php?p=28183043#p28183043:qt1coxoo said:bdp[/url]":qt1coxoo]The Hobbit movies are just long and boring, in defiance if how much action is packed on the screen at all times.
[url=http://meincmagazine.com/civis/viewtopic.php?p=28190525#p28190525:1ese0kh4 said:JaneDoe[/url]":1ese0kh4][url=http://meincmagazine.com/civis/viewtopic.php?p=28183043#p28183043:1ese0kh4 said:bdp[/url]":1ese0kh4]The Hobbit movies are just long and boring, in defiance if how much action is packed on the screen at all times.
Best summary for the Hobbit movies.
Edit: No, I have to correct myself. The best one is of cause "It felt like butter scrapped over too much bread".
[url=http://meincmagazine.com/civis/viewtopic.php?p=28184753#p28184753:38zxyb37 said:Solomon Black[/url]":38zxyb37]To those wondering why the Hobbit is three movies the answer is unsurprisingly... money.
Not just greedy cash-grab milk it for all you can money, but as in "wait you spent how much!?" money. Thanks to choices like shooting in 3D and using 48 fps filming or such is the story.
If you don't appreciate how this is risky next to their box office returns consider that studios only take home about 50% of the actual box office gross after splitting with theaters domestically and while overseas grosses are generally bigger they return even less of that.
(An enlightening article on how movies make less then you probably think, though still LOTS of money when successful of course)
[url=http://meincmagazine.com/civis/viewtopic.php?p=28186207#p28186207:3u2l32pn said:bullshit[/url]":3u2l32pn]This is then continued into the ridiculous roller coaster scenes in the hobbit.
[url=http://meincmagazine.com/civis/viewtopic.php?p=28189115#p28189115:2erf3avm said:sephula[/url]":2erf3avm]
Also, who would ever seriously believe that a tall, thin, and radiant young Elf Princess would find herself falling head over heals for a short, fat, and smelly Dwarf soldier-man? It was sooo "Romeo and Juliet" meets "Beauty and The Beast". Give me a friggin break! In real-life, that NEVER HAPPENS!