Ang Lee's gorgeous 2000 masterpiece has awe-inspiring martial arts stunts and a tragic love story for the ages.
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It's especially great because it's a parodic reference to the martial arts wuxia genre of novels and movies, where the fighters all have elaborate nicknames and reputations, but she just brushes past all that.I did enjoy the scenes where Jen fights at the tea house.
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I think Hero matches it, or is at least a very close second. Outside of those two, not much.Thanks, saw this in the theaters twice. So amazing. I have not rewatched it in years. The fights and effects were elegant and still super exciting.
I look back at the 90’s and into the first decade or so of 2000’s and there is not really a complete single movie that has the arc, beauty, dynamics, and drama of CTHD, maybe some would argue Titanic. Yours is a nice retelling and fun review. Cheers!
Imagine a year in which you got to see that AND O Brother Where Art Thou in the theaters...I am shocked that the film's release was 25 years ago. Where did the years go, TOTO?
It is one of my Top 5 all around-
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I think at this point anyone who loves movies knows that the Oscars are driven by political maneuvering and favor rather than any real merit. Everything Everywhere All At Once winning Best Picture over All Quiet On the Western Front is still the most irritating to me...Imagine a year in which you got to see that AND O Brother Where Art Thou in the theaters...
...and die of eye rolling when Gladiator won Best Picture.
"It’s truly impressive wire work..."
This is my favorite part of the film, but not because it's absurdly great. More because it's not quite real-looking - obviously people acting on wires, but imo that look actually contributes to the magical elements of the film as people move in ways almost, but not quite, governed by everyday physics. I don't know if this was intentional, but it's a case for me where less is definitely more.
"It’s truly impressive wire work..."
This is my favorite part of the film, but not because it's absurdly great. More because it's not quite real-looking - obviously people acting on wires, but imo that look actually contributes to the magical elements of the film as people move in ways almost, but not quite, governed by everyday physics. I don't know if this was intentional, but it's a case for me where less is definitely more.
Definitely in my top five,...
....of the most boring movies I've ever watched.
She was outstanding in Everything, Everywhere, All At Once. And cruelly wasted in Wicked, imo; I enjoyed both Wicked movies well enough, but Yeoh got no material to work with at all.CTHD is the film that introduced me to the incomparable Michelle Yeoh. A quarter century later and she can still deliver the goods.
In all honesty, reality is the last thing I expect of wuxia films.I remember feeling ambivalent about the wire work because it was so beautifully done but also so physically unconvincing on screen. It's a neat stylistic choice but it also looks very obviously like a person on a zipline wiggling their feet instead a person actually running and jumping, to the point where it repeatedly took me out of the story and reminded me that I was watching a movie.
Kung fu movies are obviously unrealistic in myriad ways, it's a fantasy tale, and it wasn't too hard to accept this aspect of the film's visual language since it's done well and the whole thing is gorgeous, but the wire work didn't quite click with me. It's been a while though, maybe if I watch it again...
Jack Burton said:Just remember what ol’ Jack Burton does when the earthquakes and the poison arrows fall from the sky, and the pillars of Heaven shake. Yeah, Jack Burton just looks that big ol’ storm right square in the eye and he says, “Give me your best shot, pal. I can take it.
I remember feeling ambivalent about the wire work because it was so beautifully done but also so physically unconvincing on screen. It's a neat stylistic choice but it also looks very obviously like a person on a zipline wiggling their feet instead a person actually running and jumping, to the point where it repeatedly took me out of the story and reminded me that I was watching a movie.
Kung fu movies are obviously unrealistic in myriad ways, it's a fantasy tale, and it wasn't too hard to accept this aspect of the film's visual language since it's done well and the whole thing is gorgeous, but the wire work didn't quite click with me. It's been a while though, maybe if I watch it again...
Yes, exactly this.The first time I saw this was on VHS, but I'm not entirely sure on how we got it. It was either like a video-of-the-month kind of thing someone had gotten for free or it was like a "buy 1 and get 1" deal. Of course I was blown away by it. I might even have the tape somewhere still...
For me it was the opposite actually, but I'm extremely good at suspending my disbelief. The obvious but proper wirework elevates it for me, it is the thing that turns it from "realism" to "magical realism".
Please, you’re bringing back bad memories. I was so excited when I saw her as the captain in the first episode and so despondent when they killed her off. It was all downhill from there.I never watched it but now it makes sense why Michele Yeoh was treated as such a big star when she as introduced as the empress of earth in STiscovery.
She was outstanding in Everything, Everywhere, All At Once. And cruelly wasted in Wicked, imo; I enjoyed both Wicked movies well enough, but Yeoh got no material to work with at all.
I like musicals - if the music is good. Wicked definitely qualifies. Part 1 more than Part 2, but that's a flaw that applies to the original material rather than the film.Please, you’re bringing back bad memories. I was so excited when I saw her as the captain in the first episode and so despondent when they killed her off. It was all downhill from there.
(I’m fairly sure they only brought her back as the Empress because of the backlash from the fans.)
I detest musicals. She was a good subversion of the Bond Girl trope in Tomorrow Never Dies though.
I love that giant hatpin shoved through his head.In all honesty, reality is the last thing I expect of wuxia films.
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I much prefer this to a lot of the modern green screen and cgi."It’s truly impressive wire work..."
This is my favorite part of the film, but not because it's absurdly great. More because it's not quite real-looking - obviously people acting on wires, but imo that look actually contributes to the magical elements of the film as people move in ways almost, but not quite, governed by everyday physics. I don't know if this was intentional, but it's a case for me where less is definitely more.
My immediate reaction to reading this article was to make me want to watch both movies with my son. Hero's visual design is among the finest such work ever done in movies, period.I loved that movie. Watched it multiple times and was always enthralled.
If not for CTHD I never would have seen Jet Li's Hero, which is one of the best uses of color I've ever seen in a film. Not to mention all the hype about 2 people taking on the 3000-strong imperial guard ... then actually showing that battle. Hells yes.
Moulin Rouge has also been done as a stage version.I like musicals - if the music is good. Wicked definitely qualifies. Part 1 more than Part 2, but that's a flaw that applies to the original material rather than the film.
LaLa Land is an example of a not-great musical, for me anyway. Within minutes of seeing it, I couldn't remember a single tune - although there were a lot of them, and a typically stunning performance by Emma Stone, but for me it failed as a musical. They probably should have just done it as drama.
Moulin Rouge is a great movie and a great musical - a juke box musical, in this case - that features probably the best cover ever of Madonna's Like a Virgin. Baz Luhrmann pretty much peaked here, and has disappointed me ever since, although his earlier Strictly Ballroom (since converted to a stage musical) was quite good.
And if you either like or detest musicals, Apple TV's Schmigadoon is probably worth a watch. It's on both sides of that fence. Jane Krakowski and Kristin Chenoweth chew the scenery like nobody's business, especially in Season 2 (Schmicago).
It will impress you even more when you watch her fight scene with Jen and are told she had a torn ACL while doing those stunts.I never watched it but now it makes sense why Michele Yeoh was treated as such a big star when she as introduced as the empress of earth in STiscovery.
Section 31 has entered the chat...CTHD is the film that introduced me to the incomparable Michelle Yeoh. A quarter century later and she can still deliver the goods.
Noble Friend, let us not speak of such things in polite company.Section 31 has entered the chat...