Akemi":vv2yqved said:Well, that's good news. The judge also seems to be leaning towards Aereo's explanation about multiple antennas making the service legit as each antenna represents a single user. I hope Aereo wins this. The networks seem to be oblivious to what customers want. They need to start listening to users by following the success of upstart companies like Aereo and the popularity of programming downloaded via torrent. People want on-demand access to programming, and they want it in high quality without invasive DRM. Most will gladly pay when the content is served up in that manner. Conversely the networks could use targeted advertising using geo location data from the connected IP's and serve up the content just like they do over the air, free.
salamanderjuice":1nflfh6t said:Akemi":1nflfh6t said:Well, that's good news. The judge also seems to be leaning towards Aereo's explanation about multiple antennas making the service legit as each antenna represents a single user. I hope Aereo wins this. The networks seem to be oblivious to what customers want. They need to start listening to users by following the success of upstart companies like Aereo and the popularity of programming downloaded via torrent. People want on-demand access to programming, and they want it in high quality without invasive DRM. Most will gladly pay when the content is served up in that manner. Conversely the networks could use targeted advertising using geo location data from the connected IP's and serve up the content just like they do over the air, free.
You forgot reasonably priced! I am not paying more for a digital season when I can get the DVD with shipping for less than half the price!
killing_time":3fcwa5f8 said:its just an antennae? its not providing a tivo like service?
if its just giving a one to one of an antennae signal to user, no cutting commercials etc, i dont see the big deal.
undervillain":1s1einvj said:How inefficient is it to capture, transcode, and streamprograms off of antenna for customers?
Much of the judge's decision delved into the specifics of Aereo's system, saying that the only discrepency in facts between the two sides rested on whether Aereo's individual antennae each worked independently, or whether, "Aereo's antennas function collectively as a single antenna, aided by a shared metallic substructure." While both sides brought forward experts to testify on how Aereo's infrastructure worked, the judge wrote that Aereo's use of multiple antennas "reinforcethe conclusion that the copies created by Aereo's system are unique and accessible only to a particular user, as they indicate that the copies are created using wholly distinct signal paths."
I don't get this attitude or mentality at all. The networks don't charge you anything for their content if you watch it as broadcast, hell some of them even let you watch their stuff for free online. All they ask you for in return is the possible use of your eyeballs for adverts; you don't have to watch the adverts, you don't have to pay attention to the adverts, you don't even have to be in the same room as the adverts. This is how they make their money to make the programmes that you watch. You can whinge, whine and bitch about copyright holders overgcharging, but I don't see how you can attack the broadcasters for this when you're receiving their product for free. Next you'll expect to get paid to watch their stuff.mlubrov":2c9cavbg said:This is great news. The reason the copyright wars are happening, and that RIAA and MPAA and all them are sueing everyone is to keep control of content distribution so that they can maximize profits. If the court system can break that monopoly up, and remove the distribution control with things like first sale (or broadcast in this event) and all that, then that will be awesome, and will take a lot of the wind out of their sales. Once that happens maybe just maybe they'll start bowing to customer demand, and we can have dumb pipes, and pay directly for what we want instead of a huge monthly check to some middleman for a huge massive sludge filled pipe of crap I don't want. Ultimately I'd like to see more projects like Dr. Horrible, The Guild, etc, where I have the option to pay the damn artists not some company that controls the copyright and rapes both me the customer AND the artist making their content for their own profit and pleasure all in the name of access to distribution.
HKPhooey":j2yh1x6f said:I don't get this attitude or mentality at all. The networks don't charge you anything for their content if you watch it as broadcast, hell some of them even let you watch their stuff for free online. All they ask you for in return is the possible use of your eyeballs for adverts; you don't have to watch the adverts, you don't have to pay attention to the adverts, you don't even have to be in the same room as the adverts. This is how they make their money to make the programmes that you watch. You can whinge, whine and bitch about copyright holders overgcharging, but I don't see how you can attack the broadcasters for this when you're receiving their product for free. Next you'll expect to get paid to watch their stuff.mlubrov":j2yh1x6f said:This is great news. The reason the copyright wars are happening, and that RIAA and MPAA and all them are sueing everyone is to keep control of content distribution so that they can maximize profits. If the court system can break that monopoly up, and remove the distribution control with things like first sale (or broadcast in this event) and all that, then that will be awesome, and will take a lot of the wind out of their sales. Once that happens maybe just maybe they'll start bowing to customer demand, and we can have dumb pipes, and pay directly for what we want instead of a huge monthly check to some middleman for a huge massive sludge filled pipe of crap I don't want. Ultimately I'd like to see more projects like Dr. Horrible, The Guild, etc, where I have the option to pay the damn artists not some company that controls the copyright and rapes both me the customer AND the artist making their content for their own profit and pleasure all in the name of access to distribution.
Of course you want everything for free. That's why the current generation are killing the creative arts.
HKPhooey":y8mfot1j said:I don't get this attitude or mentality at all. The networks don't charge you anything for their content if you watch it as broadcast, hell some of them even let you watch their stuff for free online. All they ask you for in return is the possible use of your eyeballs for adverts; you don't have to watch the adverts, you don't have to pay attention to the adverts, you don't even have to be in the same room as the adverts.
Nevyn":2bbva4zg said:undervillain":2bbva4zg said:How inefficient is it to capture, transcode, and streamprograms off of antenna for customers?
I'm not actually sure "transcoding" is necessary.
"Just" wrapping the raw bits you received should do. No?
Plus:
This is something I've wanted to do with radio.
15x RadioShark-like devices running full tilt and a music-lookup service -> pretty much any song you want to listen to -EVAR- is rerecorded via the 'timeshifting' bits that allowed the original VCRs to fly.
"I recorded it for -me-, and I just haven't listened to this particular instance yet."
aroni125":31gfce6i said:Nevyn":31gfce6i said:undervillain":31gfce6i said:How inefficient is it to capture, transcode, and streamprograms off of antenna for customers?
I'm not actually sure "transcoding" is necessary.
"Just" wrapping the raw bits you received should do. No?
Plus:
This is something I've wanted to do with radio.
15x RadioShark-like devices running full tilt and a music-lookup service -> pretty much any song you want to listen to -EVAR- is rerecorded via the 'timeshifting' bits that allowed the original VCRs to fly.
"I recorded it for -me-, and I just haven't listened to this particular instance yet."
Transcoding is necessary as the antenna signal is analog, not digital. It has to translate from NTSC or PAL analog format to a digital format so it has bits that can be transmitted via the Internet.
Akemi":38x0sn6f said:aroni125":38x0sn6f said:Nevyn":38x0sn6f said:undervillain":38x0sn6f said:How inefficient is it to capture, transcode, and streamprograms off of antenna for customers?
I'm not actually sure "transcoding" is necessary.
"Just" wrapping the raw bits you received should do. No?
Plus:
This is something I've wanted to do with radio.
15x RadioShark-like devices running full tilt and a music-lookup service -> pretty much any song you want to listen to -EVAR- is rerecorded via the 'timeshifting' bits that allowed the original VCRs to fly.
"I recorded it for -me-, and I just haven't listened to this particular instance yet."
Transcoding is necessary as the antenna signal is analog, not digital. It has to translate from NTSC or PAL analog format to a digital format so it has bits that can be transmitted via the Internet.
Over the air broadcasts haven't been analog in the US for some time.
This service is letting you watch things in a manner practically identical to broadcast. Aereo just happens to make it more convenient, you know, like the VCR did. The same people were fighting against that as well.HKPhooey":2s1ub7xr said:I don't get this attitude or mentality at all. The networks don't charge you anything for their content if you watch it as broadcast, hell some of them even let you watch their stuff for free online. All they ask you for in return is the possible use of your eyeballs for adverts; you don't have to watch the adverts, you don't have to pay attention to the adverts, you don't even have to be in the same room as the adverts. This is how they make their money to make the programmes that you watch. You can whinge, whine and bitch about copyright holders overgcharging, but I don't see how you can attack the broadcasters for this when you're receiving their product for free. Next you'll expect to get paid to watch their stuff.
You can't kill the creative arts unless you wipe out humanity. In Trinidad and Tobago, after some riots, they took away their native percussion after a riot. The people replaced them with bamboo sticks later, and those were eventually banned as well. Then, the people created an entirely new kind of instrument, steel pans to replace the bamboo sticks.Of course you want everything for free. That's why the current generation are killing the creative arts.
mattclary":27z3t2hr said:If you are a broadcaster who, by definition, ...broadcasts, seems like you would want your signal to go to the broadest available audience. If someone was willing to get more viewers for you, how exactly is that bad?
pixelstuff":23i8uldk said:I don't see why they would need separate antenna for each user, only separate tuners. I mean each antenna is sitting in the same air space as the next antenna. For OTA customers there's no distinct signal path for the original broadcaster to know which radio wave a user is receiving once it leaves the radio transmitter so why would the internet conversion need a distinct signal path for each user?
The third step of course is that why should you then need to maintain separate tuners per user when you could just maintain separate multi-cast streams that the user could tune in to from the computer end. Then it would really just be converting the multi-end-point radio signal into a multi-end-point internet signal ... something the broadcast studio should have already been implementing for their viewers anyway before it makes it to the radio transmitter.
aroni125":o7ftcpfx said:Akemi":o7ftcpfx said:aroni125":o7ftcpfx said:Nevyn":o7ftcpfx said:undervillain":o7ftcpfx said:How inefficient is it to capture, transcode, and streamprograms off of antenna for customers?
I'm not actually sure "transcoding" is necessary.
"Just" wrapping the raw bits you received should do. No?
Plus:
This is something I've wanted to do with radio.
15x RadioShark-like devices running full tilt and a music-lookup service -> pretty much any song you want to listen to -EVAR- is rerecorded via the 'timeshifting' bits that allowed the original VCRs to fly.
"I recorded it for -me-, and I just haven't listened to this particular instance yet."
Transcoding is necessary as the antenna signal is analog, not digital. It has to translate from NTSC or PAL analog format to a digital format so it has bits that can be transmitted via the Internet.
Over the air broadcasts haven't been analog in the US for some time.
Good point. It would depend on how their system works, then, whether it's converted back to an analog signal or not. ATSC is what is used for digital over-the-air; it is possible a consumer's device could understand it, but it could possibily be transcoded into a different format, especially if they wanted to avoid licensing issues. (ATSC uses MPEG-2 and AC-3)
foofoo22":2slx8lkg said:Unfortunately what has to happen is a LOT of people need to be fired to reduce the costs to just the creation of content. The old broadcast model generated a large gross cash flow, the new one will be lower. Until they are fired, prices can't come down...
Killing the creative arts? That's just stupid. We have to pay to watch their stupid advers. I would gladly pay for what I want, when I want it, but the stupid broadcasters still want me to pay and then watch their advertisements too. You have the gall to call broadcast TV creative art? LMFAOHKPhooey":1blri1bk said:I don't get this attitude or mentality at all. The networks don't charge you anything for their content if you watch it as broadcast, hell some of them even let you watch their stuff for free online. All they ask you for in return is the possible use of your eyeballs for adverts; you don't have to watch the adverts, you don't have to pay attention to the adverts, you don't even have to be in the same room as the adverts. This is how they make their money to make the programmes that you watch. You can whinge, whine and bitch about copyright holders overgcharging, but I don't see how you can attack the broadcasters for this when you're receiving their product for free. Next you'll expect to get paid to watch their stuff.mlubrov":1blri1bk said:This is great news. The reason the copyright wars are happening, and that RIAA and MPAA and all them are sueing everyone is to keep control of content distribution so that they can maximize profits. If the court system can break that monopoly up, and remove the distribution control with things like first sale (or broadcast in this event) and all that, then that will be awesome, and will take a lot of the wind out of their sales. Once that happens maybe just maybe they'll start bowing to customer demand, and we can have dumb pipes, and pay directly for what we want instead of a huge monthly check to some middleman for a huge massive sludge filled pipe of crap I don't want. Ultimately I'd like to see more projects like Dr. Horrible, The Guild, etc, where I have the option to pay the damn artists not some company that controls the copyright and rapes both me the customer AND the artist making their content for their own profit and pleasure all in the name of access to distribution.
Of course you want everything for free. That's why the current generation are killing the creative arts.
HKPhooey":3scsystn said:Of course you want everything for free. That's why the current generation are killing the creative arts.
Arsification":10eh563r said:HKPhooey":10eh563r said:Of course you want everything for free. That's why the current generation are killing the creative arts.
It's not about free. The creative arts in this scenario are the people who are making the craptastic cable channels that the communication companies are literally forced to buy as a part of a bundle. How many people here watch Big Ten Network or QVC or cornerstone? Yet we're force dot pay for them and forced to spend an extra five minutes trying to find something worthwhile in the bloated on-screen menu of doom.
Let the free markets decide which channels and networks should survive or die. It's the American solution.
This is exactly why I roll my eyes every time I hear Ron Paul saying we don't need regulations because people will be able to settle their differences in the civil court system. I have a hard time believing that the poor people of Shantyville will really be able to combat the Globex Corporation in court when they start dumping the toxic waste bi-product of the weather dominator machine in their backyards.TechGeek":3k7gkxwn said:Aereo will never win. Even if they win in court, the industry will keep bringing new suits until they run Aereo into bankruptcy. See Sony vs. Bleem. Bleem won the court cases and was still run out of business by Sony lawsuits.
rpgspree":1lvcq9jr said:aroni125":1lvcq9jr said:Akemi":1lvcq9jr said:aroni125":1lvcq9jr said:Nevyn":1lvcq9jr said:undervillain":1lvcq9jr said:How inefficient is it to capture, transcode, and streamprograms off of antenna for customers?
I'm not actually sure "transcoding" is necessary.
"Just" wrapping the raw bits you received should do. No?
Plus:
This is something I've wanted to do with radio.
15x RadioShark-like devices running full tilt and a music-lookup service -> pretty much any song you want to listen to -EVAR- is rerecorded via the 'timeshifting' bits that allowed the original VCRs to fly.
"I recorded it for -me-, and I just haven't listened to this particular instance yet."
Transcoding is necessary as the antenna signal is analog, not digital. It has to translate from NTSC or PAL analog format to a digital format so it has bits that can be transmitted via the Internet.
Over the air broadcasts haven't been analog in the US for some time.
Good point. It would depend on how their system works, then, whether it's converted back to an analog signal or not. ATSC is what is used for digital over-the-air; it is possible a consumer's device could understand it, but it could possibily be transcoded into a different format, especially if they wanted to avoid licensing issues. (ATSC uses MPEG-2 and AC-3)
ATSC streams can be up to ~18mbps. The vast majority of American internet users can't handle that.