I like the idea, but the burden of proof would be interesting, to say the least. Without an easily recognizable watermark making it into the final work, it’d be difficult to prove it was trained only on licensed material or to prove it was not.I think the proper approach would be disclosure requirements surrounding the material the model is trained on. If the model was trained on unlicensed, but-copyrighted material, output should NOT be copyrighted. If the company that did the training went through proper channels to license everything, the output should be covered under copyright law.
All art is derivative unless someone completely unaware of all of human history were to create something others considered artistic. So is your complaint that computers get to that point faster and with more training material? If so, you're just rehashing the tale of John Henry nearly 200 years later. Just as a reminder, Henry died and machines took over industrial-scale physical labor. The same is coming to generative works. Bans on copyright or lawsuits on training will simply be stopgaps.Even if they are copyrightable, they are derivative. Some copyright may remain in some of the sources. I don’t think it will be as straightforward as Timothy thinks.
The whole point of copyright is to allow the artist to make a living from their work.
It’s a good decision to decide you can’t art generated by a machine, whether it is based on human work or not.
No they just take some photos with their phone at various stages of the artwork. You're making something thats easy and already commonly done into a non existent problem.Yes. Every artists will need to go to additional classes to learn how to document critical steps of their process for every work, have a lawyer on retainer, and continually appear in court to establish that they, not ArtCo, are the artist.
The problem is making artists prove themselves against massively mass produced synthetic art. Visual art, music, poetry, literature. All of these can be poached.No they just take some photos with their phone at various stages of the artwork. You're making something thats easy and already commonly done into a non existent problem.
No, the whole point of copyright is to promote the progress of science and the useful arts. Compensating creators is a means, not the goal.The whole point of copyright is to allow the artist to make a living from their work.
It’s a good decision to decide you can’t art generated by a machine, whether it is based on human work or not.
We need to overhaul copyright, trademark, patent law from the ground up.
1. Which means no more generational ownership and no more transferring ownership. Ownership can only be granted to the original author.
This would solve most problems;
Artists being taken advantage of.
Patent trolls
Infinite monopolies
etc.
2. Corporations can no longer have any ownership
This is really important, it means the power of ownership goes to the individual or group which gives them leverage to negotiate terms. It also prevents a massive corporation from simply using an Ai art generator making trillions of pictures and copywriting them all.
3. The amount of ownership an individual can own is limited to 10
For more, they need to move the previous ones to Open license.
Again preventing an individual from hoarding, preventing companies from hoarding.
These 3 fundamental changes will not be popular - especially to those that abuse them. Corporations will hate it, since it means the individual owner is more powerful than the corporation.
Yet it will fix overwhelming vast majority of issues in the current system.
Yes copyright in the US is automatic, but registration can save you a lot of trouble and paperwork when someone infringes it. And in his specific case he didn't know if it applied at all so it made sense to force the issue.Excuse my ignorance, but does copyright really need to be registered in the US? Or is this something special the artist tried to apply for?
Over here in my small, European country, copyright is just “yours” if you make something. Trademarks, logos, inventions, etc., are things you apply for at the patent office.
I hadn't read this when I commented, but I actually agree with this. I just recognise how it's basically impossible to seriously reform the copyright system at this point, so therefore equal human creative input should be treated equally. But my preference would be that copyright be seriously cut down in power and scope from where it is now.Maybe the mistake isn't disallowing copyright on AI generated art, but that snapping the photo button on my phone at any random scene grants me 100+ years of being able to wield the legal system against others?
Maybe there can be a space in culture for just sharing lower effort art, without worrying about whether somebody includes your particular photograph of a poodle on their blog, or how artists can get a payday out of OpenAI or how the P.E. firms can mass copyright every musical jingle?
Right, that's my question, back to the article:Maybe the mistake isn't disallowing copyright on AI generated art, but that snapping the photo button on my phone at any random scene grants me 100+ years of being able to wield the legal system against others?
Maybe there can be a space in culture for just sharing lower effort art, without worrying about whether somebody includes your particular photograph of a poodle on their blog, or how artists can get a payday out of OpenAI or how the P.E. firms can mass copyright every musical jingle?
Moments earlier the article described how those were exactly the criteria used by the earlier supreme court decision, and I thought oh ok, makes perfect sense. Fast forward a bunch of decades and apparently that criteria is out the window. Even the later clarification:But notably, Fairey didn’t argue that the photograph wasn’t eligible for copyright at all—probably because that argument would have been laughed out of court. Everyone agrees that a photograph like Garcia’s is eligible for copyright—even though Garcia did not pose Obama in front of the camera, select or arrange Obama’s clothes, set up the background or lighting, or suggest what expressions Obama should make.
That last one barely applies for many pictures taken today so we're down to the act of pointing and shooting confers copyright. Is that really how it works?Photographers “choose where to point the camera, when to snap the image, and how to adjust a bunch of camera settings,
This is exactly what the writers guild and the actors are on strike. By enabling AI copywrite you effectively put writers out of work. Also being able to use actors digital likenesses without additional compensation is exactly why we have the current laws.Exactly, Timothy makes a philosophical argument based on photography but completely ignores the social impact on society of making AI art copyrightable. Laws don't exist in a philosophical vacuum, they need to be analysed in terms of their impact on society.