Indeed. But claiming that analogy with photography is wrong based on some superior secret knowledge of generative AI on a tech forum is rather arrogant. It is a good analogy.I'm not convinced any of these terms are sufficiently clearly and narrowly defined to ever reach agreement in discussions like these.
That's just like your opinion, man.
There is reality though. Human did "actual work" and "did the creation", these pictures wouldn't exist otherwise. The new tools just made this work much easier.
"Nobody owns them" is not a final state, it is a temporary problem with laws not catching up with reality yet. Through the lens of capitalism AI art looks like a huge heap of money which means this particular problem will be fixed very soon.
Back in the day the equivalent was Kai's Power Tools, and whatever that one you could generate landscapes with, spacing on the name.
I've repeatedly made my point clear for months in these threads honestly, I'm just tired of boring analogies.
AI generation has zero to do with photography. Or Jackson Pollock. It just doesn't. I'm not going to give a lecture on abstract expressionism and the historical response to painting that was coming out of the New York School. Because honestly it feels utterly unnecessary. Pollock is always held up as the poster child for this stuff because he's the go to artist people are vaguely aware of and I'm beyond it.
I 100% believe you understand photography.I'm not convinced enough people understand how generative AI works, or they wouldn't be saying they're related.
I think the real truth is people love being able to type something and see it realized in front of them. It gives them a feeling of being able to create. And that's great, I'm for it. I think it's not only a great gateway drug to being creative it's also enough as it is. You don't have to go any further, if you enjoy it, or want to share it, I'm all in.
But don't pretend you own it. You didn't actually make it.
To me the only interesting conversation when it comes to copyright or ownership is how can we use AI tools to make things, as human beings. Asking a computer for a result and then sitting back ultimately doesn't interest me. Using it as a tool in a broader creative process does.
True. Knowing the technical aspects of photography is not the creative part anymore than knowing how to mix paint is the creative part of painting. First and foremost is composition, something the camera can't do for you. When a camera can compose a photograph then you have to ask who created the photo.That's cool, but it's not necessary to be a professional photographer, or even understand a thing about how photography works to be able to copyright a photograph you take. You don't have to know your f-stop from your aperture from your focal length, if you are a human being and you take a photo you can generally speaking claim ownership of it.
At the same time, what's the point? I can walk around covered in GoPros and create hundreds of frames/photos per second that are legally mine. They have no commercial value because nobody's going to look through 99.999% junk and the chance of anything being sufficiently similar to sue anyone for copyright infringement is basically none while the storage/processing cost would be huge.(...) What is this going to lead to? Well, human beings have all kinds of inherent limitations built-in. For starters, we have to SLEEP, and we can only do so much in a specific amount of time. Machines don't have any of those limitations, and can also be turbo-charged at infinitum. So it looks like it's going to be "turtles (=AI) all the way down" soon. Where's the "solution" to this that doesn't trample on anyone who DOESN'T own a farm of H100 GPUs ?
Yes! Thank you, I was totally blanking on the name, that's exactly it.
The thing about Dadaism is the work was rarely that interesting, the interest came from the conversation humans were having with the world.I agree with you that people too easily jump to Jackson Pollock and Abstract Expressionism. However, that's because I think Dadaism is a better example. Dadaism explicitly condoned the Art world, so much so that they called themselves "anti-art". Many of their works can be seen as attempts to mock or destroy the pretenses of the art world at the time. A prime example would be Dadaist poetry, which was explicitly made to be random; one method was to randomly draw cut out words or letters from a bag, and let sheer chance create the resulting "art". Duchamp was notorious for his readymades, specifically Fountain, a porcelain urinal signed and put on a pedestal in Grand Central Palace. The meaning of such a provocation was not lost on the public:
It's not secret knowledge if you read meincmagazine.comIndeed. But claiming that analogy with photography is wrong based on some superior secret knowledge of generative AI on a tech forum is rather arrogant.

Only if we're acknowledging that the AI is the monkey in the analogy.It is a good analogy.
All of this art was made by people, then stolen, tumbled and laundered by these tools.I've never seen a person make art like this before. AI is an incredible tool.
Wonder what Trent, the graphic designer, has to say about modernist artworks. Is he also equally irritated when Magritte, Ernst, Dali, Escher, Braque or Miro, just to name a few, put chimneys where they make no sense or don't get the shadows right? Or is he irritated because an AI managed to generate an image that would take him days to plan and execute, assuming he actually has the technical ability to do so?Trent is the "this looks shopped" guy of the new generation.
Artists, from the most renowned to the anonymous, have been - using your terms - stealing, tumbling and laundering art that was previously done by other artists for millennia.All of this art was made by people, then stolen, tumbled and laundered by these tools.
Never exploring the world of art before doesn't mean this exact practice of using geometric patterns is novel. It's just novel to you.
Does there need to be a solution?Where's the "solution" to this that doesn't trample on anyone who DOESN'T own a farm of H100 GPUs ?
Nah, in the analogy, the prompt is the composition.It's not secret knowledge if you read meincmagazine.com
Only if we're acknowledging that the AI is the monkey in the analogy.
https://meincmagazine.com/tech-policy...onkey-cannot-own-copyright-to-famous-selfies/
If it's only not impressive because a person made it using AI tools, then you're not being fair or objective.Am I the only one not overly impressed by this? I mean it's a cool effect, optical illusion, but what is everyone so excited about? I feel like I'm taking crazy pills over here. If an artist actually painted them, yeah, sure but..
Sorry, but I feel like you're being really strict with the definition of 'create' if 'convert random noise into an image' doesn't count.Indeed. And Generative Models do have randomness, from the outside.
A model does not create anything at all, it is not creative in the slightest. All it does is convert random noise (which is generated from a seed, typically), into an image, guided by a prompt. The output is reproducible because of this deterministic nature, but changing the seed changes the whole image.
(And using a non-deterministic sampler will also change it)
How is creating a prompt through trial and error, and curating the results, while seeking a specific end result, lacking in intentionality?I don't agree with this.
Unless you're reducing photography to the settings.
End of the day a human being has to pick up the camera, take it to the location, and capture a moment in time. There's an intentionality and human element that's utterly lacking from AI art.
I don't think that means AI art isn't interesting in its own ways, I just think trying to compare it to other things doesn't really serve all that helpful of a purpose.
That doesn't make any sense whatsoever. If I were a bit more arrogant, I would try and claim you don't really understand the comparisons people are making here. There are a few AI 'elements' at play here, the latent space of weighted vectors, generated by scraping and training models. Then there's the prompt and the software that uses the prompt to assemble the results from the latent space.It's not secret knowledge if you read meincmagazine.com
Only if we're acknowledging that the AI is the monkey in the analogy.
https://meincmagazine.com/tech-policy...onkey-cannot-own-copyright-to-famous-selfies/
Trial and error is carrying a lot of weight here.How is creating a prompt through trial and error, and curating the results, while seeking a specific end result, lacking in intentionality?
This is a really well thought out example.I'll refine the comparison one step further and reference astrophotography. I can set up my telescope with a camera, and have it point (i.e. prompt) at different random parts of the sky (i.e. AI latent space), and have it algorithmically stack and denoise images (i.e. software interface). Then, I can take a look at all of those images, find one that looks good and tweak the scope position as well as some of the exposure, denoising, and stacking settings. Eventually I get a copyrighted image of something that I didn't 'create' in exactly the same way as not creating an AI generated image.
Dadaism is alive and well. Today it is called Avant Garde Art with such installations as a banana duct taped to a wall (replaced regularly due to bananas having a short life when used this way & was even eaten by a viewer once), but the art is the concept not the banana.I agree with you that people too easily jump to Jackson Pollock and Abstract Expressionism. However, that's because I think Dadaism is a better example. Dadaism explicitly condoned the Art world, so much so that they called themselves "anti-art". Many of their works can be seen as attempts to mock or destroy the pretenses of the art world at the time. A prime example would be Dadaist poetry, which was explicitly made to be random; one method was to randomly draw cut out words or letters from a bag, and let sheer chance create the resulting "art". Duchamp was notorious for his readymades, specifically Fountain, a porcelain urinal signed and put on a pedestal in Grand Central Palace. The meaning of such a provocation was not lost on the public:
"Whether Mr Mutt with his own hands made the fountain or not has no importance. He CHOSE it. He took an ordinary article of life, placed it so that its useful significance disappeared under the new title and point of view – created a new thought for that object."
-- Beatrice Wood
"The artist is a not great creator—Duchamp went shopping at a plumbing store. The artwork is not a special object—it was mass-produced in a factory. The experience of art is not exciting and ennobling—at best it is puzzling and mostly leaves one with a sense of distaste. But over and above that, Duchamp did not select just any ready-made object to display. In selecting the urinal, his message was clear: Art is something you piss on."
-- Stephan Hicks
Z hasn’t given up. “That robot inspired me. I took a pile of trash and called it treasure. Then Snuffy took my art and just threw it away again. Is art ultimately disposable in our capitalist society?”
Z hopes to design a performance piece around Snuffy. “If I show him the Mona Lisa, he won’t throw it out. But what about a scrambled postcard of the Mona Lisa? What if I tear it up? I want to know where the line is? It will be a beautiful human robot collaboration…”
I am strict. Because the algorithm doesn't make any decision. The outcome of a stable diffusion run is basically predetermined, by both user input and random noise input.Sorry, but I feel like you're being really strict with the definition of 'create' if 'convert random noise into an image' doesn't count.
Editors are still needed to some degree, to fix problems in the output of the algorithm. There usually are some, most famously hands.What I find bitterly amusing about this is, that a photographer/artist has been replaced by an AI, but the person setting this up is acting as the customer, stylist and editor of the produced work. It feels like it is taking a dig at everyone else involved in the production of artwork that they are not meaningful enough to count as human. I'm wondering how editors are feeling about being being devalued in this process.
The Irish Music Rights Organization [IMRO] (RIAA for Irish traditional music) is doing it.At the same time, what's the point? I can walk around covered in GoPros and create hundreds of frames/photos per second that are legally mine. They have no commercial value because nobody's going to look through 99.999% junk and the chance of anything being sufficiently similar to sue anyone for copyright infringement is basically none while the storage/processing cost would be huge.
Just hitting the same RNG so that your photo of "a dog" is the same photo as mine of "a dog" would be extremely unlikely. If your prompt has even a twinkle of creativity the odds of it being in a pre-generated database is starting to resemble monkeys writing Shakespeare. If they do happen to look derivative it's probably because you ran into some kind of fixed, uncopyrightable setting like "wedding couple on church steps" or "sports team photo" who look 99% the same only with different faces.
I mean, you can't even get a machine to play all the guitar riffs and copyright music for the rest of time. What are you going to do with images that have orders of magnitude more variation?
You're obviously unaware of collage & mashups. Both are very simple, very common, & and when sold in an art gallery, very expensive.All of this art was made by people, then stolen, tumbled and laundered by these tools.
Never exploring the world of art before doesn't mean this exact practice of using geometric patterns is novel. It's just novel to you.
Just ask any editor who works for a publisher or freelances commercially.What I find bitterly amusing about this is, that a photographer/artist has been replaced by an AI, but the person setting this up is acting as the customer, stylist and editor of the produced work. It feels like it is taking a dig at everyone else involved in the production of artwork that they are not meaningful enough to count as human. I'm wondering how editors are feeling about being being devalued in this process.
Real creativity is introduced by choosing the image library, composing the prompt, tweaking the multitude of settings that effect the outcome, and most important, curating the results to toss anything that is not acceptable to you (Yes, creativity is involved in choosing which images are not representative of your vision of the finished work)I am strict. Because the algorithm doesn't make any decision. The outcome of a stable diffusion run is basically predetermined, by both user input and random noise input.
Real creativity isn't possible on such an algorithm.
The faces would still look creepy, I'm sure we'd say "uncanny valley".This stuff is getting really impressive. I know many of us have been shitting on AI art for a while but honestly, ask yourself, if you sent these back in time 10 years, would people look at them and go "wow what crap who made that mess?"
There is no any particular requirement of effort for picture to be copyrightable. I can stick a phone out of the window and make a picture not even looking outside. Tada! A copyrightable image.We're already at the point where people use ChatGPT to create Stable Diffusion prompts FOR THEM, so they don't even have to put effort in THAT anymore, either. I really don't see a way out of this mess. How many layers of separation between a human and the end result is tolerable?
What is this going to lead to? Well, human beings have all kinds of inherent limitations built-in. For starters, we have to SLEEP, and we can only do so much in a specific amount of time. Machines don't have any of those limitations, and can also be turbo-charged at infinitum. So it looks like it's going to be "turtles (=AI) all the way down" soon.
Where's the "solution" to this that doesn't trample on anyone who DOESN'T own a farm of H100 GPUs ?
It is about as productive as saying "Google it".It's not secret knowledge if you read meincmagazine.com
Only if we're acknowledging that the AI is the monkey in the analogy.
https://meincmagazine.com/tech-policy...onkey-cannot-own-copyright-to-famous-selfies/
This is not an example though, it is a refined analogy between latent space and outer space.This is a really well thought out example.
I just fundamentally reject comparing latent space and outer space.
Your process is your process. The universe is still there despite your efforts to not see it until afterwards.
Yes, but that is creativity by the user not the algorithm.Real creativity is introduced by choosing the image library, composing the prompt, tweaking the multitude of settings that effect the outcome, and most important, curating the results to toss anything that is not acceptable to you (Yes, creativity is involved in choosing which images are not representative of your vision of the finished work)