The French attempt to pass the world’s toughest “graduated response” law against P2P file-sharers has been en retard for months. But the negotiations are finally over, the “Cr�ation et Internet” bill has been drafted, and today it finally came up before the National Assembly for debate. Despite furious opposition, the bill could well pass soon, laying down severe penalties for “not securing one’s Internet connection” and forcing public WiFi operators to allow access only to a “white list” of acceptable sites. And all this for one industry.
Libert�, �galit�, fraternit�… HADOPI?
The French law goes by many names. Officially called “Cr�ation et Internet,” it is also known as the “Loi Olivennes” after Denis Olivennes, the head of French electronics giant FNAC. Olivennes headed the group that came up with the plan, which will be implemented by a new group called HADOPI—which is why the bill is also known as HADOPI.
But whatever one calls it, the principles remain the same. When ISPs are notified about alleged file-sharing, they first send an e-mail to the customer involved. The second time, the customer gets a registered letter. The third time, the customer gets booted off the ‘Net for three months to a year. (A HADOPI blacklist will apparently keep blocked users from simply switching ISPs.)
In return, French DVDs will appear a couple of months closer to their theatrical release date and music and movie groups will have to drop much of their DRM.
Global music trade group IFPI thinks this is a wonderful trade-off. CEO John Kennedy, last seen testifying at The Pirate Bay trial in Sweden, said today that “our future, like that of the film industry and other media depends on whether we can sustain a legitimate business in an environment that has been swamped by unauthorised free music. Over the last two years the French government has led the way in addressing this critical challenge. It has recognised that involving ISPs in addressing the massive flow of infringing content on their networks is not only essential to protect the rights of creators and producers, but can provide a sensible and proportionate solution that will work effectively in practice.”

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