It is very easy to fall asleep in space. When you’re at your desk at home and you’ve been working for hours and you nod off, your chin bumps your chest and you wake up with a start. In space, your head doesn’t fall—you simply fade into sleep, and then if you’re unattached you begin to float away. This is the sort of thing you hear when you speak with Richard Garriott, a man you may know better as Lord British. He made millions of dollars creating and selling video games, and then spent most of that money trying to get into space.
He says that there is no ground on the International Space Station, nor is there a ceiling. There are instruments and items and all sorts of things connected to the walls, and you can tell the people who are new to space flight by how they bump into things, which sends them spinning in zero gravity. They zoom around, followed by a mess of items and benign, space-faring shrapnel. It collects by the air vents if no one picks it up. Sleeping bodies find their way there as well.
This is where Richard Garriott wants to take you, and he is much closer than you think.
Flying poets
It’s hard not to romanticize a man like Richard Garriott. His father was an astronaut, and only poor eyesight stopped the son from following the father off the planet. He began working with computers, and created the games many of us grew up playing. In some circles the name “Avatar” has nothing to do with James Cameron, and everything to do with our adventures in Britannia. We remember when he was killed by his own people.
This is how Richard Garriott speaks when describing what it was like to fly into space on the Soyuz rocket: “You know, unlike television where it’s always loud and has lots of vibration or you might imagine it feels like a dropping the clutch on the sports car as you take off at a green light, it’s actually much more cerebral,” he explains. “It’s almost perfectly smooth. It’s almost perfectly silent and feels much more like a confident ballet move, lifting you ever faster into the sky, than something scary or threatening.”
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